A Never-Before-Published Cut-Up Masterpiece BATTLE INSTRUCTIONS is the most important new publication by William S. Burroughs not only since the writer’s death in 1997 but quite possibly since The Third Mind made it into print in 1978. Burroughs wrote a number of books in the final decades of his life. His estate, under the leadership…
Tag: Cut-Up
CUT-UPS@60
London / Paris, September 2020 Registration now open for Paris and London 2020 will be the 60th anniversary of the first publications using the cut-up methods developed by William Burroughs and Brion Gysin at the Beat Hotel in Paris. To mark this landmark in cultural history, we are organising CUT-UPS@60, an international Cut-Up Conference in…
Nothing Here Now But The Recordings
William S. Burroughs & the Wreckers of Civilization by Matthew Levi Stevens Genesis P Orridge and William S. Burroughs, circa 1981 (xerox from NME) Sometime in 1973 William S. Burroughs received in the mail to Duke Street an apparently irate letter, complaining: “Dear William S. Burroughs, I’m so tired of you and Allen Ginsberg exploiting…
The Anti-Environment of the Cut-Up Authors
by Carl Weissner Environments are not passive wrappings, but are, rather, active processes which are invisible. The ground rules, pervasive structure, and overall patterns of environments elude easy perception. Anti-environments, or countersituations made by artists [“and artists” added by Weissner], provide means of direct attention and enable us to see and understand more clearly. Marshall…
Terry Wilson: Cutting Up for Real
The Writing of Perilous Passage Terry Wilson in Conversation with Ian MacFadyen As his book Perilous Passage is published by Synergetic Press, Terry Wilson talks with Ian MacFadyen about the 15 years he spent creating this unique work which embodies and develops the radical Third Mind techniques of William Burroughs and Brion Gysin. Wilson was…
A Word Is a Word Is a Collage (1965)
A Profile of William S. Burroughs (1965) By Bill Butler Bill Butler was an American poet who served as one of the influential managers of London’s independent bookstore Better Books. In 1967 he moved to Brighton and founded Unicorn Books, which was subject the following year to a nasty obscenity trial involving its edition of…
Nothing Here Now But the Lost Recordings
The Lost Tapes of Carl Weissner, Claude Pélieu and Mary Beach, 1967-1969 by Edward S. Robinson For academics and fans alike, the archives of the pivotal beat triumvir of William Burroughs, Allen Ginsberg and Jack Kerouac have long been a source of fascination and a continued wealth of lost texts. Despite the excavation of a…
Introduction to The Fluke
Published and Draft Introductions to Jacques Stern’s The Fluke by William S. Burroughs Jacques Stern is a writer.. That is he is writing actual events and conditions.. He says he is far away and this is literally true.. He says he is in ice and this is literally true, far away.. He far now is…..
A Trip from Here to There
Brion Gysin: Dream Machine at the Institut D’Art Contemporain Villeurbanne / Rhone-Alpes. 16 October — 28 November 2010. by Ian MacFadyen “Everybody here comes from somewhere.” — Michael Stipe “Everything was alive like me on this earth, everything was breathing.” — Brion Gysin Gysin Homage One | Burroughs-Gysin Excursus | Gysin Homage Two Gysin Homage…
“Burroughs Is a Poet Too, Really”: The Poetics of Minutes to Go
by Oliver Harris Dismissed as Unreadable The long and intimate association of William Burroughs with poets is well known: Ginsberg, most obviously, as well as Corso, Creeley, Ferlinghetti, Leroi Jones, John Giorno, and so on. But to talk of Burroughs’ own material engagement with poetic form and poetics in relation to historical and contemporary practices…
Pistol Poem No. 3
by William S. Burroughs Power Is Often Very Quiet Power Is Often Quiet Very Power Is Very Quiet Often Power Is Very Often Quiet Power Is Quiet Often Very Power Is Quiet Very Often Power Often Very Quiet Is Power Often Very Is Quiet Power Often Quiet Is Very Power Often Quiet Very Is Power…
Pistol Poem No. 2
by William S. Burroughs Who Controls The Control Men Who Controls The Men Control Who Controls Control Men The Who Controls Control The Men Who Controls Men The Control Who Controls Men Control The Who The Control Men Controls Who The Control Controls Men Who The Men Controls Control Who The Men Control Controls Who…
Fear and the Monkey
A Poem by William S. Burroughs August 1978 This text arranged in my New York loft, which is the converted locker room of an old YMCA. Guests have reported the presence of a ghost boy. So this is a Oui-Ja board poem taken from Dumb Instrument, a book of poems by Denton Welch, and spells…
Where Flesh Circulates
A Poem by William S. Burroughs Its so hard to remember in the world – – Weren’t you there? Dead so you think of ports – – Couldn’t reach flesh – – Might have to reach flesh from anybody – – And i will depart under the Red Masters for strange dawn words of color exalting their falling on my face impending attack satellite in a Gold and perfumes of light city red stone shadows brick terminal time wet dream flesh creakily the the last feeble faces fountains play stale spit from crumpled cloth Weimar youths on my face bodies where flesh circulates Masters of color exalting their dogs impending attack of light unaware of the vagrant shadows on the Glass and Metal Streets silver flying scanning patterns electric dogs dark street life “Here he is now” staring out from the dawn he strode toward the flesh jissom webs drifting where identity scarred metal faces masturbating “Who him?” spitting blood laugh on the iron afternoons ejaculates wet dream flesh in red brick Terminal Time red nitrous fumes under the orange gas flares grey metal fall out on terminal cities to the shrinking sky fading color sewage delta caught in this dead whistle stop post card sky dead rainbow flesh and copper pagodas flickered on the in a city of red stone black skin work fish smell and dead eyes in doorways red water words spitting blood laugh sharp as water reeds fish syllables stirring this Moroccan sunlight vagrant noon station spent in the mirror dawn jissom webs drifting rainbow speeded up from afternoon’s slow ferris wheel flesh. Originally published in Floating Bear 24 in September-October 1962. Republished by RealityStudio in August 2010.
Spain & 42 St.
A Poem by William S. Burroughs Language like muttering pant smells running silver scanning Passed down the Arab Street in the gutter patterns Translucent medium from its like i talky you of a place the vacuum of silent panic …
Dead Whistle Stop Already End
A Poem by William S. Burroughs Ahab to his companion falling over there in any out from the dawn skin staring stirring unbelief he strode towards a long…
Cut-Up Poems from Minutes to Go
Cut-Up Poetry by William S. Burroughs CANCER MEN. . . THESE INDIVIDUALS ARE MARKED FOE. . . at land coccus germs by a bacilmouth Jersy phenicol bitoics the um vast and varied that specific target was the vast popul – – – – the vast cancers that surgery and Xrays C In the United States…
Carl Weissner in My Own Mag
My Own Mag 12, Page 5 Carl Weissner, “Interior,” May 1965 My Own Mag 13, Page 2 Carl Weissner, “Mailbag Cuttings Re Meeting Suggested in Mag 12,” August 1965 My Own Mag 14, Page 3 Carl Weissner, [Correspondence,] December 1965 My Own Mag 14, Page 10 Carl Weissner, “The Moving Times,” December 1965 My Own…
Flesh Film
A Cut-Up Novella by Jürgen PloogWith an Introduction by Edward S Robinson Introduction I first encountered the name Jürgen Ploog when I obtained a copy of Claus Maeck’s film, Commissioner of Sewers. The film features an interview with Burroughs, conducted by Ploog, and as a fan and student of William Burroughs of many years, I…
Jan Herman and the Fold
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting At the DC Book Fair I was pleasantly surprised to see a small collection of books about the Beats huddled together at a book dealer’s stall. Interesting Beat books are few and far between in the nation’s capital. So what if they were…
Yes, Prince, Clear Surprise!
by Jan Herman Dan rolled the cigarette tight and a black flame rose in his dim eyes. Carl, making certain not to lose ground, waved him through the dangerous opiate into the ESP room. Dan put his cigarette into the blue ends of his imagination possessed by windfalls of moisture and disarming affability. It was…
A Dangerous Opiate
by Jan Herman The country was overrun by “shakers” and phosphorescent moisture. A new revelation which was carried as straight news they way they will in the TV studios. And the Senator on W-O-R-D radio. “There is no safety this side of the grave,” he says. It seems any judge or any senator can do…
Jan Herman as Writer
In Answer to Questions from Jean-Jacques Lebel Jan HermanIn Answer to Questions from Jean-Jacques LebelThe San Francisco Earthquake 31968 Jan HermanIn Answer to Questions from Jean-Jacques LebelThe San Francisco Earthquake 31968 Jan HermanIn Answer to Questions from Jean-Jacques LebelThe San Francisco Earthquake 31968 Jan HermanIn Answer to Questions from Jean-Jacques LebelThe San Francisco Earthquake 31968…
Jan Herman as Publisher of Nova Broadcast Press
Nova Broadcasts Ray BremserDrive Suite Nova Broadcast 11969 Download Complete Broadcast Wolf VostellMiss Vietnam Nova Broadcast 21969 Download Complete Broadcast Dick HigginsA Book about Love & War & Death Nova Broadcast 31969 Download Complete Broadcast Liam O’GallagherPlanet Noise Nova Broadcast 41969 Download Complete Broadcast William BurroughsThe Dead Star Nova Broadcast 51969 Download Complete Broadcast Norman…
The Soft Machines
By Dave Teeuwen William Burroughs had the unusual habit of rewriting and rereleasing his novels during the 1960s and 1970s. He is not the only author to have undertaken a revision of a previously published work. Henry James famously revised and added to his novels in the early years of the 20th century for the…
Interview with Graham Masterton on William S. Burroughs
By Dave Teeuwen Graham Masterton is the amazingly prolific author of over a hundred horror and thriller novels, as well as self-help / how-to guides about sex. He has been publishing steadily since the mid-1970s. Earlier in his career, however, he was the editor for Mayfair magazine and later the editor of Penthouse and Penthouse…
Death in Paris
A New Book-Length Text by Carl Weissner And an Archive Celebrating Weissner’s Publications in the Avant-Garde Introduction After going to see the Villa Seurat, where Henry Miller lived when he wrote Tropic of Cancer, we stopped at the Café Zeyer for drinks. The Zeyer, which he described as “a gaudy place with red plush and…
Abstract (Lip 1969)
A Text by William S. Burroughs With an Introduction by Dave Teeuwen In 1969 William Burroughs published seven short pieces titled “Abstract” and sent them out to various small-press literary magazines and underground newspapers. Throughout the 1960s Burroughs was extremely active with the alternative press. Bibliographies of his work show that he was published hundreds…
Intersections Shifts and Scanning from Literary Days by Tom Veitch
by William S. Burroughs Let me tell you about a score of years on the window one Summer The Speaking Clock his past history..I remember as I write it September 17, 1899..Remember pale reflection trembling in the park..fragrant blossoms drifted from time gone by to kiss us on the cheek..clothes in a heap..the Milk Bar..the…
William Burroughs and Andy Warhol
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting I just finished reading a catalogue raisonné of Andy Warhol’s Screen Tests. For those who do not know, Warhol shot a series of portrait films from 1964 to 1966, one of the most long-term and ambitious projects in his career as a filmmaker….
William Burroughs in January 1960 Mademoiselle
W.S. Burroughs is an American in Paris whom the Saturday Review describes as “a writer of great power and artistic integrity.” Cable: “What do you want in the next decade for world, not self” Reply: Chere Mademoiselle: I am placed by you in the otherworldly, selfless and detached position of a losing better [sic] before…
Rhinozeros Archive
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting Several months ago I received an email from an editor at Black Dog Publishing which operates out of London. Black Dog prints books on a variety of topics such as photography, architecture, film and design. They did a book on Independent record shops…
Apomorphine and Naked Lunch
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting I found this vaccine at the end of the junk line. I lived in one room in the Native Quarter of Tangier. I had not taken a bath in a year nor changed my clothes except to stick a needle every hour in…
Speed, Apomorphine, Mimeo, and the Cut-Up
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting There are times in your reading life when you dabble in a book, dip into it periodically, put it down, and come back to it. Your experience with the book is leisurely, casual. You are chipping. The book does not have a strong…
The Naked Express: William Burroughs and Tom Veitch
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting It is amazing how a single sheet of paper can capture a special moment in history. My first issue of NOW provides a snapshot into the literary history of San Francisco in the summer of 1963. Similarly my offprint of Tom Veitch’s The…
The Exterminator
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting Published by Auerhahn Press in 1960, The Exterminator is one of the forgotten texts of Burroughs’ bibliography. Roughly 1000 copies were printed in the first edition, and I would gather that few of even the most dedicated Burroughs fans have ever read it….
Burroughs’ Statements at the 1962 International Writers’ Conference
William S. Burroughs In 1962 William S. Burroughs appeared at the International Writers’ Conference in Edinburgh. He read statements at the panels on Censorship and on The Future of the Novel. RealityStudio has not yet been able to obtain a transcript of the conference (can anyone help?), but later that year the Transatlantic Review published…
The Third Mind Exhibit
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting RealityStudio bills itself as a digital community, a gathering place for fans, friends, collectors, and scholars of William Burroughs. In recent weeks, we have received some emails that testify to the international nature of that community as well as to the potential of…
Everything Lost, the Latin American Notebook of William S. Burroughs: The Inside Story
By Volume Editor, Oliver Harris Background: The Crying of Lot 22 Where it had been since 1953 and how it got into the hands of a private collector remain a mystery, but it surfaced in October 1999 as Lot 22 of Sotheby’s “Allen Ginsberg and Friends” sale in New York. The small, black notebook with…
C Press Archive
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting For more information about C Press, see Jed Birmingham’s articles on Time, Ted Berrigan, and Don’t Ever Get Famous. Also see the C Press Index. Andy Warhol provided the cover for issue four of C: A Journal of the Arts. Edwin Denby and…
Interview with Artist Jim Dine
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting Since the inception of the Bibliographic Bunker, I have been writing about artists’ books and the book as an object. The interview with Malcolm Mac Neill and his memoir Observed While Falling were revelations. Both reinforced my belief that the concept of the…
Cutting up the Archive: William Burroughs and the Composite Text
by Oliver Harris This is an edited version of a paper delivered to the 4th Annual Symposium on Textual Studies at the Centre for Textual Scholarship, De Montfort University, Leicester, 25 May 2007. I’d like to start by saying how delighted I am to have been invited here today by Peter Shillingsburg and how honoured…
Eric Mottram and The Algebra of Need
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting In 1992, I attended King’s College in London for two terms as part of a study abroad program. I knew next to nothing about the school, and if I remember correctly, I chose it, because it was located on the Strand and seemed…
Islwyn Watkins Interviewed by David Moore
Recollections of Jeff Nuttall, Bob Cobbing, My Own Mag, Writers’ Forum, Group H & STigma in early 1960s London by David Moore DM: Please would you tell us a little about yourself and how you came to meet Jeff Nuttall? IW: I was born and educated in south Wales and, in September 1959, moved to…
Recollections of Jeff Nuttall and the Production of My Own Mag
by Michael Bartholomew I met Jeff Nuttall round about 1960, when I was 18 years old. I lived in north London and was a member of the Barnet branch of the Campaign for Nuclear Disarmament. Jeff was also a member. He was maybe 10 years older than I was. He had a wife and family,…
The Burroughs File
San Francisco: City Lights 1984, an edition of 300 copies hardbound in black cloth covered boards with gilt spine lettering and dust jacket. An anthology of writing and photographs. _____ simultaneous wraps issue. This bibliography of A-List publications by William S. Burroughs derives from Eric C. Shoaf’s Collecting William S. Burroughs in Print: A Checklist…
The Third Mind
New York: Viking 1978, first U.S. printing, hardbound in dust jacket. First published as Oeuvre Croisée in French (Paris: Flammarion 1976). A collaboration between Burroughs and Brion Gysin. Burroughs, known to have worked more productively in collaboration with others, wrote that the title stemmed from Think and Grow Rich, a twentieth-century guide to salesmanship by…
The Last Words of Dutch Schultz
[M&M A17] London: Cape Goliard Press 1970, hardbound in dust jacket. A fiction written in the form of a screenplay, this work was inspired by Burroughs’ interest in reputed mobster Schultz. This limited edition of 100 copies was numbered and signed by Burroughs, and bound in grey green buckram. Issued in fragile tissue dust jacket….
The Dead Star
[M&M A14] San Francisco: Nova Broadcast Press 1969, printed stapled wrappers which fold-out accordion fashion, one of 2,000 copies, first separate printing of this piece which originally appeared in a different form in Jeff Nuttall’s My Own Mag. Maynard & Miles A14. This bibliography of A-List publications by William S. Burroughs derives from Eric C….
Time
[M&M A11] New York: “C” Press 1965, Maynard & Miles A11a. A signed hardcover issue lettered A-J each accompanied by a manuscript page from Burroughs and a drawing by Brion Gysin. Illustrated with four calligrams by Gysin. The top half of the cover appears to be an issue of Time magazine and features portraits of…
Nova Express
[M&M A10] New York: Grove Press 1964, first edition and one of 10,000 copies, hardbound in dust jacket. Maynard & Miles A10a. A new work, part of which was written in collaboration with Ian Sommerville, and part of which uses the “fold-in” method of rearranging text, a variation of Gysin’s cut-up method. New York: Black…
The Ticket That Exploded
[M&M A6] Paris: Olympia Press 1962, softbound in stiff olive-green wraps, a copy lacking the dust jacket, one of 5,000 copies. Maynard & Miles A6a. The third of the Olympia Press originals. New York: Grove Press 1967, first US publication, hardbound in dust jacket, one of 10,000 copies. Maynard & Miles A6b. The text of…
The Soft Machine
[M&M A5] Paris: Olympia Press 1961, stiff olive-green wraps, with decorated dust jacket, one of 5,000 copies. Maynard & Miles A5a. The second publication of Burroughs’ work by Olympia Press. Dust jacket design by Brion Gysin. New York: Grove Press 1966, first US printing, one of 18,000 copies, hardbound in dust jacket. Maynard & Miles…
The Exterminator
[M&M A4] San Francisco: Auerhahn Press 1960, bound in wraps and one of 1,000 copies. Maynard & Miles A4a. A collaboration with Brion Gysin, not to be confused with Burroughs’ work Exterminator! published by Viking Press in 1973. Cover design by Gysin. A short piece with but 47 pages. San Francisco: Dave Haselwood Books 1967,…
Minutes to Go
[M&M A3] Paris: Two Cities Editions 1960, bound in wraps, one of 1,000 copies. Maynard & Miles A3a. A collaborative effort between Burroughs, Brion Gysin, Sinclair Beiles, and Gregory Corso, and the first of the “cut-up” publications. There was also a limited edition of 10 copies (only five of which were for sale) each signed…
The Evolution of the Cut-Up Technique in My Own Mag
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting In late 1963, Jeff Nuttall sent William Burroughs the first issue of My Own Mag. In an editorial note on the cover, Nuttall writes tongue firmly in cheek, My Own Mag “will appear every now and then… will be devoted to creations of…
My Own Mag: A Bibliographic Nightmare
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting My Own Mag is a bibliographic nightmare. There is no general consensus on the correct order of the first eight issues of the seventeen issue run. This might be by design. Nuttall, like Ed Sanders, possessed a devilish air and a flair for…
My Own Mag
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting In the introduction to the bibliography of his work prepared by Joe Maynard and Barry Miles, William Burroughs spoke about how the “little mags” were a lifeline for him at a time when he had very few hopes for publishing his work. One…
Yage Redux
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting The first edition of Yage Letters published by City Lights in 1963 is a slim and seemingly unassuming book. The cover has become famous and the book sells well, but it remains largely undiscovered territory to scholars. Only 18,000 words long and struggling…
Time
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting Recently, I received an email asking me about a copy of Time, a limited edition collage piece published by C Press. According to its copyright page, Time was published in 1965 in 1000 copies. 886 copies comprised the trade edition. These copies were…
Locus Solus
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting The history and contents of the magazine Locus Solus provide insight into the type of progressive poetry circles and ideas Burroughs started tapping into with his small scale, textual cut-up works of the early 1960s. A testament to refined taste, Locus Solus was…
APO-33
Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting I spent some more time on Dave Moore’s page of Burroughs covers the other night. An interesting piece could be written on the cover art and external packaging of Burroughs’ work over the past five decades similar to the essays that have been…
Transitional Period vs Gongs of Violence
Two Burroughs Cut-Ups Compared A few months ago Professor Oliver Harris was kind enough to share with RealityStudio one of his working documents for Yage Redux. It is an incredible Microsoft Word palimpsest comparing Burroughs’ various yage publications and manuscripts. RealityStudio couldn’t publish it (for obvious copyright reasons), but we did add a few images…
Yage Letters Redux
RealityStudio Reviews the New Edition Prepared by Oliver Harris It is an acknowledged paradox at the heart of William S. Burroughs’ work that his greatest books called into question how much they were even his. Whereas Samuel Beckett tried to eviscerate the novel from within — to “naughten” it, to borrow a term from Heidegger…