Reports from the Bibliographic Bunker
Jed Birmingham on William S. Burroughs Collecting
There are a lot of “what ifs” in book collecting. What if I had bought this and not that? What if I had more money? Or more time? What if I collected this and not that? “What if I did not collect William Burroughs?” is a question I consider. In a piece I wrote over a decade ago, I came to the conclusion that I would have collected Charles Olson instead. The question that serves as the boundary I can never cross or the horizon I can never see beyond is “What if I did not collect?” Such a question throws my very existence into doubt like “What if my parents never met?” If I did not collect, I quite simply would not be the same person I am now.
Another question that I often consider is “What if I did not collect Burroughs’s little magazine appearances?” This came to mind this week when I received my latest purchase in the mail: a program for an art exhibition involving David Budd, Earle Brown, and William Burroughs at the Galerie Stadler in Paris in 1964. I love these little programs and buy them when I get the chance. An interesting collection could be made by collecting Burroughs the artist rather than Burroughs the writer — or I should say “Burroughs the novelist,” since I consider cut-up texts such as Time, APO-33, and The Dead Star artist’s books and some of the finest examples of Burroughs’s talent as a visual artist.
If the Maynard and Miles bibliography was the blueprint for the foundations of my Burroughs little magazine collection, Robert Sobiezek’s Ports of Entry would be the guidebook for constructing an archive on Burroughs the artist. Besides the artist’s books mentioned above, such a collection would also acquire Burroughs’ later collaborations with Keith Haring, George Condo, and Robert Rauschenberg. The Third Mind material done with Brion Gysin has been institutionalized but until recently the raw material relating to Ah Pook by Malcolm Mc Neill was still available. Such material would be a centerpiece to a Burroughs-as-artist collection. Similarly, Joseph Zinnato, a major Burroughs collector, was able to get his hands on the proofs and drafts relating to the C Press edition of Time and make that material a cornerstone of his collection.
Of course there is the late period visual art from manila folder to the shotgun paintings. From what I can tell, much of this art is available to the collector. Patricia Elliott, friend and neighbor of Burroughs in Lawrence, had several pieces for sale just a few years ago. In connection with the visual art, there are also the ephemera associated with Burroughs’ gallery shows, like the one I just received relating to Galerie Stadler. I have a real soft spot for these programs. The Budd / Burroughs / Brown program is just plain cool visually. For the more ambitious, it might be worthwhile to collect all the reviews of these shows that appeared in art magazines or newspapers. Thus an archive could be gathered on the critical reception of Burroughs the artist.
Then we have Burroughs the art critic. Again there are some great ephemera with Burroughs’s small essays on Takis as well as some clunkers. A collector would have to lower his standards to pick up the horribly designed Paintings and Guns by Hanuman Books. Other collectors find these little gems cute. They are not for me although I find some of the texts to be fascinating.
Looking through my collection, I have the humble beginnings of a Burroughs as artist collection: Paintings and Guns, the Mimeo Revolution artist’s books, a handful of gallery catalogs. But this is a beginning that I will unfortunately not take to its conclusion (if a conclusion to a collection is ever possible), which is a shame because I think such a collection would be fun to compile and to research. Then it occurred to me to open a gallery on RealityStudio dedicated to Burroughs as artist. I am posting the bits and pieces that I have, but we at RealityStudio would love it if other collectors sent us images and write-ups of art-related pieces from their collections. For example, if you own a Burroughs painting, take a clear photograph of it and send it in with the background information on the piece as well as a short (or long) write-up. This could be as simple as how you acquired it, a personal impression about what the piece means to you, or a more formal piece of art criticism. If you have a program, scan it and send it to the site. The same goes for reviews of Burroughs’ art shows from newspapers and magazines. We are also posting a bibliography for what a Burroughs as Artist collection would look like. This is clearly a work in progress. If you have any edits and suggestions, please send them in.
Collecting like art is for everybody and the creation of this gallery provides an opportunity to get into the action.
- Bibliography of William S. Burroughs and the Arts
- Checklist of William Burroughs Art Exhibitions by Barry Miles
- Reviews of Burroughs Art Exhibits
Note: this material focuses on printed publications, not notebooks, sketchbooks, manuscripts, or paintings.
William Burroughs and the Arts
1961 Guy Harloff Exhibit
Guy Harloff, Exhibition Catalogue
Galerie “La Cour d’Ingres”
1961
Nanos Valaoritis and William Burroughs texts
Guy Harloff, Exhibition Catalogue
Galerie “La Cour d’Ingres”
1961
Guy Harloff, Exhibition Catalogue
Galerie “La Cour d’Ingres”
1961
1962 Takis Exhibit
Takis, exhibition catalogue
Galleria Schwarz
1962
Texts by Nicolas Callas and William Burroughs (Italian)
1963 Towers Open Fire at ICA London
“On March 28th, 1963, at the Institute of Contemporary Arts (ICA) on Dover Street, Bill, Ian, and Antony Balch presented an evening of cut-ups. Bill sat in a chair and stared at the audience, a powerful blue spotlight making it difficult to see him, while earsplitting cut-up tapes were played featuring distorted Moroccan flutes, pneumatic drills, radio static, fragments of radio broadcasts, and Bill’s own flat, dry voice reading texts and news reports. Stills from Towers Open Fire were projected on a screen above his head (they had intended to screen the film but it was not ready). The Evening Standard reported, “The club was filled to busting point with intrigued spectators even standing outside in the passage to catch one or two eerie twangs of Burroughs’ voice. I found him mysterious as ever. He sat with hands folded and a deadpan expression in front of a blue screen as his voice, sometimes crackling into a strange blend of humour and irony, came over a recording machine.” — Barry Miles, Call Me Burroughs
Towers Open Fire
ICA London
1963
Towers Open Fire
ICA London
1963
Towers Open Fire
ICA London
1963
Towers Open Fire
ICA London
1963
Towers Open Fire
ICA London
1963
1963 Mark Brusse Exhibition
Mark Brusse – Reliefs Machines
Galerie 20, Arnheim, Holland
1963
Catalogue
William Burroughs
Statement on Mark Brusse
Mark Brusse – Reliefs Machines
Galerie 20, Arnheim, Holland
1963
Invitation – Front
Mark Brusse – Reliefs Machines
Galerie 20, Arnheim, Holland
1963
Invitation – Interior
1963 Bizarre Magazine
Bizarre Magazine
1963
William Burroughs
Untitled Text on Guy Harloff
Bizarre
1963
1964 David Budd Exhibit
David Budd rencontre William Burroughs et Earle Brown cover
Galerie Stadler
1964
David Budd rencontre William Burroughs et Earle Brown front (English)
Galerie Stadler
1964
David Budd rencontre William Burroughs et Earle Brown back (French)
Galerie Stadler
1964
1967 Takis Exhibit
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
William Burroughs
Untitled Text Dated “Paris 1960”
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis
Double Signal
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Nicolas Callas
“Takis’ Magnetic Nowhere”
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis
Magnetic Nowhere
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Gregory Corso
“Purple Subway Ride”
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis
Magnetic Needles
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Allen Ginsberg
Untitled Text Dated “Bombay Apr 22, [19]62”
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis
Quavering Mobile
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
Takis, Magnetic Sculpture, exhibition catalogue
Galerie Stadler
1967
1969 Architectural Design Magazine
Architectural Design
1969
William Burroughs
Untitled Text about 24 Peter Street, London
Architectural Design
1969
1970 Gette’s Crystals
(Images courtesy of BigCrux.)
Gette’s Crystals
1970
William S. Burroughs
Untitled Text
Gette’s Crystals
1970
Gette’s Crystals
1970
Brion Gysin
Untitled Text
Gette’s Crystals
1970
Gette’s Crystals
1970
Bernard Heidsieck
Untitled Text
Gette’s Crystals
1970
Gette’s Crystals
1970
Gette’s Crystals
1970
1974 Ruby Editions Portfolio 1
(Images courtesy of BigCrux.)
Portfolio 1
Ruby Editions
1974
Copyright Page
Ruby Editions
1974
William S. Burroughs
Untitled
Ruby Editions
1974
Henri Chopin
Untitled
Ruby Editions
1974
1988 Tony Shafrazi Gallery
William Burroughs exhibit catalogue
Tony Shafrazi Gallery
1988
William Burroughs
“Entrance to the Museum of Lost Species”
William Burroughs exhibit catalogue
Tony Shafrazi Gallery
1988
William Burroughs
“Entrance to the Museum of Lost Species” (continued)
William Burroughs exhibit catalogue
Tony Shafrazi Gallery
1988
William Burroughs
“Entrance to the Museum of Lost Species” (continued)
William Burroughs exhibit catalogue
Tony Shafrazi Gallery
1988
William Burroughs
“Entrance to the Museum of Lost Species” (continued)
William Burroughs exhibit catalogue
Tony Shafrazi Gallery
1988
William Burroughs exhibit catalogue
Tony Shafrazi Gallery
1988
1988 Burroughs Exhibit at October Gallery (London)
William Burroughs exhibit catalogue
October Gallery
1988
1988 Burroughs Exhibit at Klein Gallery (Chicago)
William Burroughs exhibit postcard
Klein Gallery
1988
1989 Burroughs Exhibit at Galerie Specht (Basel)
William Burroughs exhibit catalogue
Galerie Specht
1989
2005 Burroughs Exhibit at Riflemaker Gallery
Burroughs exhibit catalogue
Riflemaker Gallery
2005
Burroughs exhibit catalogue
Riflemaker Gallery
2005
Burroughs exhibit catalogue
Riflemaker Gallery
2005
Burroughs exhibit catalogue
Riflemaker Gallery
2005
Undated Postcard for Mrabet Exhibit at Gotham Book Mart
Undated Postcard for Mrabet Exhibit (front)
Gotham Book Mart
Anyone have the date?
Undated Postcard for Mrabet Exhibit (back)
Gotham Book Mart
Anyone have the date?
A wonderful project!