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	<title>Kenward Elmslie &#8211; RealityStudio</title>
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	<description>A William S. Burroughs Community</description>
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		<title>Index to the Contents of C: A Journal of Poetry</title>
		<link>https://realitystudio.org/bibliographic-bunker/c-press-archive/c-press-index-intro/index-to-the-contents-of-c-a-journal-of-poetry/</link>
					<comments>https://realitystudio.org/bibliographic-bunker/c-press-archive/c-press-index-intro/index-to-the-contents-of-c-a-journal-of-poetry/#respond</comments>
		
		<dc:creator><![CDATA[RealityStudio]]></dc:creator>
		<pubDate>Sat, 10 Aug 2013 21:19:58 +0000</pubDate>
				<category><![CDATA[Al Fowler]]></category>
		<category><![CDATA[Al Katzman]]></category>
		<category><![CDATA[Allen Ginsberg]]></category>
		<category><![CDATA[Andy Warhol]]></category>
		<category><![CDATA[Aram Saroyan]]></category>
		<category><![CDATA[Barbara Guest]]></category>
		<category><![CDATA[Brion Gysin]]></category>
		<category><![CDATA[Bruce Kawin]]></category>
		<category><![CDATA[Charles Olson]]></category>
		<category><![CDATA[David Shapiro]]></category>
		<category><![CDATA[Dick Gallup]]></category>
		<category><![CDATA[Douglas MacArthur]]></category>
		<category><![CDATA[Ed Sanders]]></category>
		<category><![CDATA[Edwin Denby]]></category>
		<category><![CDATA[Frank Lima]]></category>
		<category><![CDATA[Frank O'Hara]]></category>
		<category><![CDATA[Gerard Malanga]]></category>
		<category><![CDATA[Giuseppe Ungaretti]]></category>
		<category><![CDATA[Gregory Corso]]></category>
		<category><![CDATA[Guillaume Apollinaire]]></category>
		<category><![CDATA[Harlan Dangerfield]]></category>
		<category><![CDATA[Harry Fainlight]]></category>
		<category><![CDATA[Harry Mathews]]></category>
		<category><![CDATA[J Richard White]]></category>
		<category><![CDATA[James Brodey]]></category>
		<category><![CDATA[James Schuyler]]></category>
		<category><![CDATA[Jeff Giles]]></category>
		<category><![CDATA[Joe Brainard]]></category>
		<category><![CDATA[Joe Ceravolo]]></category>
		<category><![CDATA[John Ashbery]]></category>
		<category><![CDATA[John Dent]]></category>
		<category><![CDATA[John Giorno]]></category>
		<category><![CDATA[John Stanton]]></category>
		<category><![CDATA[John Wieners]]></category>
		<category><![CDATA[Joseph Ceravolo]]></category>
		<category><![CDATA[Ken Weaver]]></category>
		<category><![CDATA[Kenneth Koch]]></category>
		<category><![CDATA[Kenward Elmslie]]></category>
		<category><![CDATA[Larry Swingle]]></category>
		<category><![CDATA[Leroi Jones]]></category>
		<category><![CDATA[Les Gottesman]]></category>
		<category><![CDATA[Lorenzo Thomas]]></category>
		<category><![CDATA[Louis Nasper]]></category>
		<category><![CDATA[Max Jacob]]></category>
		<category><![CDATA[Michael Brownstein]]></category>
		<category><![CDATA[Michael McClure]]></category>
		<category><![CDATA[Peter Orlovsky]]></category>
		<category><![CDATA[Peter Schjeldahl]]></category>
		<category><![CDATA[Philip Whalen]]></category>
		<category><![CDATA[Phillipe Soupault]]></category>
		<category><![CDATA[Pierre Reiter]]></category>
		<category><![CDATA[Pierre Reverdy]]></category>
		<category><![CDATA[Richard Gallup]]></category>
		<category><![CDATA[Richard Huelsenbeck]]></category>
		<category><![CDATA[Richard Kolmar]]></category>
		<category><![CDATA[Robert Dash]]></category>
		<category><![CDATA[Ruth Krauss]]></category>
		<category><![CDATA[Sandra Alper]]></category>
		<category><![CDATA[Sotero Torregian]]></category>
		<category><![CDATA[Stéphane Mallarmé]]></category>
		<category><![CDATA[Szabo]]></category>
		<category><![CDATA[Ted Berrigan]]></category>
		<category><![CDATA[Ted Greenwald]]></category>
		<category><![CDATA[Theodore Roethke]]></category>
		<category><![CDATA[Théophile Gautier]]></category>
		<category><![CDATA[Theresa Mitchell]]></category>
		<category><![CDATA[Tom Veitch]]></category>
		<category><![CDATA[Tony Towle]]></category>
		<category><![CDATA[Tristan Tzara]]></category>
		<category><![CDATA[William Burroughs]]></category>
		<category><![CDATA[William Saroyan]]></category>
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					<description><![CDATA[Reports from the Bibliographic Bunker Jed Birmingham on William S. Burroughs Collecting C: A Journal of Poetry No. 1 (May 1963) Cover Page: A title page and table of contents [i] Endless Resoundings Fill the RCMM &#8212; Dick Gallup [1] Ember Grease &#8212; Dick Gallup [2] It&#8217;s Everywhere, Like So Much Glue &#8212; Dick Gallup...]]></description>
										<content:encoded><![CDATA[<h4>Reports from the Bibliographic Bunker</h4>
<h3>Jed Birmingham on William S. Burroughs Collecting</h3>
<h2>C: A Journal of Poetry No. 1 (May 1963)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.1.jpg" target="_blank"><img fetchpriority="high" decoding="async" src="images/bibliographic_bunker/c_journal/c.1.200.jpg" width="200" height="330" alt="C Issue 1" title="C Issue 1"></a>Cover Page: A title page and table of contents [i]</p>
<p>Endless Resoundings Fill the RCMM &#8212; Dick Gallup [1]</p>
<p>Ember Grease &#8212; Dick Gallup [2]</p>
<p>It&#8217;s Everywhere, Like So Much Glue &#8212; Dick Gallup [3]</p>
<p>Out West and Back East &#8212; Dick Gallup [4]</p>
<p>Persia is Falling Beneath the Blue Triremes &#8212; Dick Gallup [5]</p>
<p>Sonnet I (&#8220;Three thoughts about a bad boy. Chapped punk&#8221;) &#8212; Ron Padgett [6]</p>
<p>Sonnet II (&#8220;As the blue cup sits upon the table, postcards&#8221;) &#8212; Ron Padgett [7]</p>
<p>Sonnett III (&#8220;The stone house your father built by hand, thirty&#8221;) &#8212; Ron Padgett [8]</p>
<p>Untitled (&#8220;Most sensual of recluses, faint&#8221; &#8212; Ron Padgett [9]</p>
<p>A Play &#8212; Joe Brainard [10]</p>
<p>A Diary August 4th &#8212; 15th &#8212; Joe Brainard [11-13]</p>
<p>Poem in the Traditional Manner &#8212; Ted Berrigan [14]</p>
<p>Poem in the Modern Manner &#8212; Ted Berrigan [15]</p>
<p>Homage to Beaumont Bruestle &#8212; Ted Berrigan [16]</p>
<p>Two Scenes (after John Ashbery) &#8212; Ted Berrigan [17]</p>
<p>Homage to Mayakofsky &#8212; Ted Berrigan [18]</p>
<p>It is a Big Red House &#8212; Ted Berrigan [19]</p>
<p>In Place of Sunday Mass &#8212; Ted Berrigan [20]</p>
<p>From a Secret Journal &#8212; Ted Berrigan [21]</p>
<p>Sonnet I (&#8220;His piercing pince-nex. Some dim frieze&#8221;) &#8212; Ted Berrigan [22]</p>
<p>Sonnet II (Dear Margie, hello. It is 5:15 a.m.&#8221;) &#8212; Ted Berrigan [23]</p>
<p>Sonnet III (&#8220;Stronger than alcohol, more great than song,&#8221;) &#8212; Ted Berrigan [24]</p>
<p>Sonnet IV (Lord, it is time. Summer was very great.&#8221;) &#8212; Ted Berrigan [25]</p>
<p>Sonnet V (&#8220;Squawking a gala occasion, forgetting, and&#8221;) &#8212; Ted Berrigan [26]</p>
<p>Sonnet VI (The bulbs burn phosphorescent, white&#8221;) &#8212; Ted Berrigan [27]</p>
<p>Real Life &#8212; Ted Berrigan [28]</p>
<h2>C: A Journal of Poetry No. 2 (June 1963)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.2.jpg" target="_blank"><img decoding="async" src="images/bibliographic_bunker/c_journal/c.2.200.jpg" width="200" height="329" alt="C Issue 2" title="C Issue 2"></a>Cover Page [i]</p>
<p>Title Page and table of contents [1]</p>
<p>The Birth of Lamantia &#8212; J. Richard White [2]</p>
<p>February in San Francisco &#8212; J.Richard White [3]</p>
<p>From The Lady &#8212; J. Richard White [4]</p>
<p>From a Letter from Joe Brainard to Ted Berrigan/20 May 63 &#8212; Joe Brainard [5]</p>
<p>Words for Love &#8212; Ted Berrigan [6]</p>
<p>Doubts (to Dave Bearden) &#8212; Ted Berrigan [7]</p>
<p>I Am Alone. You Are a Jungle. These Are the Ties That Bind &#8212; Ted Berrigan &amp; Dick Gallup [8]</p>
<p>Untitled (&#8220;Dear Aunt Rose and Uncle Bert,&#8221;) &#8212; Sandra Alper [9]</p>
<p>Homage to Max Jacob &#8212; Ron Padgett [10]</p>
<p>Gamma Rays &#8212; Ron Padgett [11]</p>
<p>X (&#8220;I hope somebody else writes your story you zombie!&#8221;)– Ron Padgett [12]</p>
<p>Ash Tarzan &#8212; Ron Padgett [13]</p>
<p>Tristan Tarzan &#8212; Ron Padgett [14]</p>
<p>The Portable Life of Dr. Reverdy &#8212; Ron Padgett [15]</p>
<p>Sonnet XVIII (&#8220;Dear Marge, hello. It is 5:15 a. m.&#8221;) &#8212; Ted Berrigan [16]</p>
<p>Sonnet XXIII (&#8220;On the 15th day of November in the year of the motorcar&#8221;) &#8212; Ted Berrigan [17]</p>
<p>Sonnet XXXII (&#8220;The blue day! In the air winds dance&#8221;) &#8212; Ted Berrigan [18]</p>
<p>Sonnet XXXVI &#8212; Homage to Frank O&#8217;Hara (&#8220;It&#8217;s 8:54 a.m. in Brooklyn it&#8217;s the 28th of July [and]&#8221;) &#8212; Ted Berrigan [19]</p>
<p>Sonnet XXXVIII (&#8220;Sleep half sleep half silence and with reasons&#8221;) &#8212; Ted Berrigan [20]</p>
<p>Sonnet XL &#8212; (&#8220;Wan as pale thighs making apple belly strides&#8221;) &#8212; Ted Berrigan [21]</p>
<p>Sonnet XLI (&#8220;bangin around in a cigarette   she isn&#8217;t &#8216;in love'&#8221;) &#8212; Ted Berrigan [22]</p>
<p>Sonnet XLII (&#8220;She murmurs of signs to her fingers&#8221;) &#8212; Ted Berrigan [23]</p>
<p>For Richard White Sonnet LII (&#8220;It is a human universe:   &amp; I&#8221;) &#8212; Ted Berrigan [24]</p>
<p>Sonnet LIII: &#8220;for all the history of grief&#8221; (&#8220;The poem upon the page is as massive as&#8221; &#8212; Ted Berrigan [25]</p>
<p>A Mother&#8217;s Love is a Blessing &#8212; Joe Brainard [26]</p>
<p>Sally &#8212; Joe Brainard [27]</p>
<p>Poem (&#8220;Last night was blue or maybe arabia&#8221;) &#8212; Joe Brainard [28]</p>
<p>Penn Station &#8212; Ted Berrigan [29]]</p>
<h2>C: A Journal of Poetry No. 3 (July/August 1963)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.3.jpg" target="_blank"><img decoding="async" src="images/bibliographic_bunker/c_journal/c.3.200.jpg" width="200" height="330" alt="C Issue 3" title="C Issue 3"></a>Cover: Image by Joe Brainard [i]</p>
<p>The Waking &#8212; Theodore Roethke [1]</p>
<p>Title page and table of contents [2]</p>
<p>A Sonnet for Dick Gallup / July 1963 (LXXII) (&#8220;The logic of grammar is not genuine   it shines forth&#8221;) &#8212; Ted Berrigan [3]</p>
<p>$$$$$ from Re-Establishing Raymond Roussel &#8212; John Ashbery [4]</p>
<p>Sonnet (In this house I feel sad&#8221;) &#8212; John Stanton [5]</p>
<p>Sonnet (&#8220;Is the effort of my poem worth Manhattan:&#8221;) &#8212; John Stanton [5]</p>
<p>Now in Another Way (for Andy Warhol) &#8212; Gerard Malanga [6]</p>
<p>Some Feathers &#8212; Richard Gallup [7]</p>
<p>Sonnet XXXI (&#8220;And then one morning to waken perfect-faced&#8221;) &#8212; Ted Berrigan [8]</p>
<p>Sonnet XXXIV (&#8220;Time flies by like a great whale&#8221;) &#8212; Ted Berrigan [9]</p>
<p>Sonnet XXXVII (&#8220;It is night. You are asleep. And beautiful tears&#8221;) &#8212; Ted Berrigan [10]</p>
<p>Sonnet XLIV (&#8220;The withered leaves fly higher than dolls can see&#8221;) &#8212; Ted Berrigan [11]</p>
<p>Sonnet XLV (&#8220;What thwarts this fear I love&#8221;) &#8212; Ted Berrigan [12]</p>
<p>Sonnet XLVII (&#8220;Frances Marion nudges himself gently in the big blue sky&#8221;) &#8212; Ted Berrigan [13]</p>
<p>Sonnet LVIII (&#8220;A glass of chocolate milk, head of lettuce, dark-&#8220;) &#8212; Ted Berrigan [14]</p>
<p>Sonnet LXXIV (&#8220;The Academy of the future is opening its doors&#8221;) &#8212; Ted Berrigan [15]</p>
<p>A Final Sonnet for Chris (LXXXVIII) (&#8220;How strange to be gone in a minute! A man&#8221;) &#8212; Ted Berrigan [16]</p>
<p>Two for Barbara Guest &#8212; James Brodey</p>
<p>	(&#8220;Muscular, standing past the station&#8217;s rim&#8221;) [17]</p>
<p>	(&#8220;Melancholy changes its constant vigorous heart&#8221;) [17]</p>
<p>Three Sonnets After Frank O&#8217;Hara &#8212; Ron Padgett [18]</p>
<p>Poem Play (A Beautiful Day) &#8212; Ruth Krauss [19]</p>
<p>A Play (In a Bull&#8217;s Eye) &#8212; Ruth Krauss [20]</p>
<p>A Play (untitled) &#8212; Ruth Krauss [21]</p>
<p>A Play (There&#8217;s a Little Ambiguity Over There Among the Bluebells) &#8212; Ruth Krauss [22]</p>
<p>Homage to Pierre Reverdy &#8212; Ron Padgett &amp; Ted Berrigan [23]</p>
<p>Egg Plants Are Not Green &#8212; Ron Padgett [24]</p>
<p>Lettuce &#8212; Unattributed (Ron Padgett &amp; Ted Berrigan) [25]</p>
<p>Instead of a Man in Black the Men in Blue &#8212; Ron Padgett [26]</p>
<p>Choctaw &#8212; Ron Padgett &#8212; [27]</p>
<p>Sonnet Written in the Time it Took Lauren Owen to Walk 100 Feet &#8212; Ron Padgett [28]</p>
<p>Building a house &#8212; Richard Gallup [29-30]</p>
<h2>C: A Journal of Poetry No. 4 (September 1963)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.4.front.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.4.front.200.jpg" width="200" height="286" alt="C Issue 4" title="C Issue 4"></a>Cover: Andy Warhol [1]</p>
<p>Title page and table of contents [2]</p>
<p>The Poetry of Edwin Denby &#8212; Frank O&#8217;Hara [2-4]</p>
<p>An Introduction &#8212; John Wieners [5]</p>
<p>Grace After a Meal &#8212; Ted Berrigan [6]</p>
<p>Edwin&#8217;s Hand &#8212; Frank O&#8217;Hara [7]</p>
<p>Poems from In Public, In Private &#8212; Edwin Denby</p>
<blockquote>
<p>The Climate [8]</p>
<p>The Shoulder [8]</p>
<p>Standing on a Street Corner [9]</p>
<p>Summer [10]</p>
<p>The Silence at Night [10]</p>
<p>City Without Smoke [11]</p>
<p>Elegy &#8212; The Streets [11-12]</p>
<p>From a Sonnet Sequence </p>
<blockquote>
<p>13 (&#8220;Suppose there&#8217;s a cranky woman inside me who&#8221;) [13]</p>
<p>21 (&#8220;The street is where people meet according to law&#8221;) [13]</p>
</blockquote>
<p>Aaron [14]</p>
<p>The Friend [14]</p>
<p>Long Island City [14]</p>
<p>A Domestic Cat [15]</p>
</blockquote>
<p>Poems from Mediterranean Cities &#8212; Edwin Denby</p>
<blockquote>
<p>Ravenna [16]</p>
<p>Florence [16]</p>
<p>Siena [17]</p>
<p>Rome [17]</p>
<p>Via appia [18]</p>
<p>Villa Adriana [18]</p>
<p>Naples [19]</p>
<p>Amalfi [19]</p>
<p>Paestum [20]</p>
<p>Syracuse [20]</p>
<p>Segesta [21]</p>
<p>Taormina [21]</p>
<p>Forza d&#8217;agro [22]</p>
<p>Brindisi [22]</p>
<p>Athens [23]</p>
<p>The Parthenon [23]</p>
<p>Attica [24]</p>
<p>Mycenae [24]</p>
<p>Thebes [25]</p>
<p>Delphi [25]</p>
</blockquote>
<p>Snoring in New York, an elegy &#8212; Edwin Denby [26-27]</p>
<p>Some Notes &#8212; Ted Berrigan [28]</p>
<p>Back Cover: Andy Warhol</p>
<h2>C: A Journal of Poetry Vol. 1 NR 5 (October/November 1963)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.5.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.5.200.jpg" width="200" height="330" alt="C Issue 5" title="C Issue 5"></a>Cover: Joe Brainard (i)</p>
<p>Title page and table of contents [1]</p>
<p>The New Realism &#8212; John Ashbery [2-3]</p>
<p>A Game of Chess &#8212; Ron Padgett [4-7]</p>
<p>Passivation &#8212; Joseph Ceravolo [8-9]</p>
<p>Kerygma &#8212; Sotero Torregian [10]</p>
<p>Prose Poem (&#8220;The soul clings with its tenacity to the broken edge&#8221;) &#8212; John Wieners [11]</p>
<p>Sickness &#8212; John Wieners [11]</p>
<p>Untitled (&#8220;Do not let the silent, secret reaches of the night&#8221;) &#8212; John Wieners [12]</p>
<p>Happiness Is Just a Thing &#8212; John Wieners [13]</p>
<p>The Frightened City &#8212; Ted Berrigan [14]</p>
<p>Cathedral Towns &#8212; Ted Berrigan [15]</p>
<p>New Junket (for Harry Fainlight) &#8212; Ted Berrigan [16]</p>
<p>Wind &#8212; Ron Padgett [16]</p>
<p>What Price Salvation? &#8212; J. Richard White [17]</p>
<p>Spelunca (for A.R.) &#8212; J. Richard White [17]</p>
<p>Late December &#8212; John Ashbery [18]</p>
<p>Copy of a Copy &#8212; John Ashbery [19]</p>
<p>Undated &#8212; John Ashbery [20-22]</p>
<p>Political Science &#8212; Lorenzo Thomas [22]</p>
<p>The Infant Jesus of Prague &#8212; James Schuyler [23-28]</p>
<p>Poem II (&#8220;Muezzins, buzzards, newspapers &#8212; like&#8221;) &#8212; Harry Fainlight [28]</p>
<p>Olivetti Ode &#8212; Barbara Guest [29]</p>
<p>Hands &#8212; Barbara Guest [30-31]</p>
<p>Florida Hillocks &#8212; Kenward Elmslie [31]</p>
<p>Piazza of the Bananas &#8212; Kenward Elmslie [32]</p>
<p>Another Island Groupage &#8212; Kenward Elmslie [33]</p>
<p>The New World &#8212; Leroi Jones [34]</p>
<p>*The Success &#8212; Leroi Jones [35]</p>
<p>*Predicates/Categories (after M.H.) &#8212; Leroi Jones [36]</p>
<p>*Cant &#8212; Leroi Jones &#8212; [36]</p>
<p>*Poem (&#8220;There were more dirty&#8221;) &#8212; Joseph Ceravolo [37]</p>
<p>*Grass &#8212; Joseph Ceravolo [37]</p>
<p>*Poem (&#8220;Come and go  see over there&#8221;) &#8212; Joseph Ceravolo [38]</p>
<p>*Poem (&#8220;Lapping water&#8221;) &#8212; Joseph Ceravolo [38]</p>
<p>*Funny Day &#8212; Joseph Ceravolo [39]</p>
<p>*Happiness in the Trees &#8212; Joseph Ceravolo [39]</p>
<h2>C: A Journal of Poetry Vol. 1 NR 6 (December 1963/January 1964)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.6.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.6.200.jpg" width="200" height="330" alt="C Issue 6" title="C Issue 6"></a>Cover: Joe Brainard</p>
<p>Dedication Page: Trista Tzara (4 April 1896 &#8212; 24 December 1963) [1]</p>
<p>Title page and table of contents [2]</p>
<p>Canzone &#8212; Ted Berrigan [3]</p>
<p>Presence &#8212; Ted Berrigan [4]</p>
<p>Destination Moom &#8212; Ted Berrigan [5-6]</p>
<p>Prose Keys to American Poetry &#8212; Ted Berrigan [6]</p>
<p>Andy Warhol: Andy Do It &#8212; Joe Brainard [7]</p>
<p>Nancy &#8212; Joe Brainard [8-9]</p>
<p>Inside the Park &#8212; Dick Gallup [10]</p>
<p>Stillness &#8212; Joe Ceravolo [11]</p>
<p>I Am Lonely in My Crib &#8212; Joe Ceravolo [11]</p>
<p>Five Poems &#8212; Joe Ceravolo [12-13]</p>
<p>The Night Passes Through April Wind, No One Wants to Sleep &#8212; Joe Ceravolo [13]</p>
<p>Non-Sonnet IV &#8212; Gerard Malanga [14]</p>
<p>Non-Sonnet XII &#8212; Gerard Malanga [14]</p>
<p>Across the Table &#8212; Robert Dash [15]</p>
<p>C&#8217;est Toi Qui Dors Dans L&#8217;Ombre &#8212; Harlan Dangerfield [16-17]</p>
<p>Johnny &#8212; Joe Brainard [17]</p>
<p>From the Beaumont Series &#8212; Dick Gallup [18]</p>
<p>Duet &#8212; Ruth Krauss [19]</p>
<p>Poem in Honor of Some Bombs &#8212; Ted Berrigan [19]</p>
<p>The Pastor &#8212; Harlan Dangerfield [20-21]</p>
<p>Orange Jews &#8212; Harlan Dangerfield [21]</p>
<p>Enureseis &#8212; Lorenzo Toumes [22]</p>
<p>The Blind Dog of Venice (To Pat) &#8212; Ron Padgett [23]</p>
<p>The EMS Dispatch (To Ted)– Ron Padgett [23]</p>
<p>Blimps &#8212; Kenward Elmslie [24]</p>
<p>Poem (&#8220;the wooden junk flood closed the city&#8221;) &#8212; Kenward Elmslie [24]</p>
<p>Television Scenario: The Users &#8212; Kenward Elmslie [25]</p>
<p>Your Fun is a Snob &#8212; Kenneth Koch [26]</p>
<p>Sweethearts From Abroad &#8212; kenneth Koch [26]</p>
<p>Rapping Along &#8212; Kenneth Koch [27]</p>
<p>The Cat&#8217;s Breakfast &#8212; Kenneth Koch [27]</p>
<p>Sun Out &#8212; Kenneth Koch [28]</p>
<p>The Dead Body &#8212; Kenneth Koch [28]</p>
<p>In Every Victim Awaits the Guest of Honor &#8212; Ted Berrigan [29]</p>
<p>It Makes You Think, &#8212; Ted Berrigan [29]</p>
<p>The Complete Works: A Story-Poem (To Joe) –Ron Padgett [30-32]</p>
<h2>C: A Journal of Poetry Vol. 1 NR 7 (February 1964)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.7.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.7.200.jpg" width="200" height="330" alt="C Issue 7" title="C Issue 7"></a>Covers: Joe Brainard [i-vi]</p>
<p>Title page and table of contents [1]</p>
<p>Some Troubles &#8212; Ted Berrigan [2]</p>
<p>Cremations &#8212; Tom Veitch [3-4]</p>
<p>A Story from the Bushmen &#8212; Joe Ceravolo [4]</p>
<p>Warmth &#8212; Joe Ceravolo [5]</p>
<p>Ending &#8212; Joe Ceravolo [5]</p>
<p>The More You Take It &#8212; Joe Ceravolo [5]</p>
<p>From A Sonnet Sequence &#8212; Ted Berrigan</p>
<blockquote>
<p>	Sonnet LXXIII [6]</p>
<p>	Sonnet LXXVI [6]</p>
<p>	Sonnet LXXVIII [6]</p>
<p>	Sonnet LXXX [7]</p>
<p>	Sonnet LXXXI [7]</p>
<p>	Sonnet LXXXII [7]</p>
<p>	Sonnet LXXXIV [8]</p>
<p>	Sonnet LXXXVII [8]</p>
</blockquote>
<p>After the Broken Arm &#8212; Ron Padgett [9]</p>
<p>I&#8217;d Give You My Seat If I Were Here &#8212; Ron Padgett [9]</p>
<p>Sonnet / To Andy Warhol &#8212; Ron Padgett [10]</p>
<p>Rome &#8212; Ron Padgett [10]</p>
<p>Nothing in That Drawer &#8212; Ron Padgett [10]</p>
<p>The Windows &#8212; John Wieners [11]</p>
<p>Les fenetres &#8211; Guillaume Apollinaire [11]</p>
<p>Prologue &#8212; Tony Towle [12]</p>
<p>Apology &#8212; Tony Towle [12]</p>
<p>Thoughts Near the George Washington Bridge &#8212; Tony Towle [13]</p>
<p>Somebody Else, Black Poems, Brown Poems &#8212; Tony Towle [13]</p>
<p>Gilbert and Sullivan &#8212; Lorenzo Thomas [14]</p>
<p>Another Abstract etc &#8212; Lorenzo Thomas [14]</p>
<p>The Conscience of Cole Porter &#8212; Lorenzo Thomas [14]</p>
<p>Abuela&#8217;s Wake &#8212; Frank Lima [15]</p>
<p>In Memory of Eugene Perez (drowned may 25, &#8217;62) &#8212; Frank Lima [16]</p>
<p>John Perreault &#8212; John Perreault [16]</p>
<p>Yesterday Down at the Canal &#8212; Frank O&#8217;Hara [17]</p>
<p>Poeme en Forme de Saw &#8212; Frank O&#8217;Hara [17]</p>
<p>To jane: And in Imitation of Coleridge &#8212; Frank O&#8217;Hara [18]</p>
<p>Unpacking the Black Trunk &#8212; James Schuyler &amp; Kenward Elmslie [19-26]</p>
<p>*Poem (&#8220;I do not always understand what you say&#8221;) &#8212; James Schuyler [26]</p>
<p>Two poems &#8212; James Schuyler</p>
<blockquote>
<p>	(&#8220;In the café I sat and watched the rain&#8221;) [27]</p>
<p>	(August, smelling of ripe grapes and afternoon sleep&#8221;) [27]</p>
</blockquote>
<p>From a Sonnet Sequence: Sonnet 30 (&#8220;Roar drowns the reproach, facing him) &#8212; Edwin Denby [28]</p>
<p>Political Poem on a Last Line of Pasternak&#8217;s &#8212; Frank O&#8217;Hara [28]</p>
<p>The Lay of the Romance of the Associations (to Kenneth Koch) &#8212; Frank O&#8217;Hara [29]</p>
<p>Commercial Variations &#8212; Frank O&#8217;Hara [30-31]</p>
<p>34 mile wind &#8212; Frank O&#8217;Hara [31]</p>
<p>Rhapsody &#8212; Frank O&#8217;Hara [32]</p>
<p>Those Who Are Dreaming, A Play about St. Paul &#8212; Frank O&#8217;Hara [32-33]</p>
<p>Ah, London &#8212; Harry Fainlight [34]</p>
<p>Meeting &#8211; Harry Fainlight [35]</p>
<p>Lyric &#8212; Harry Fainlight [35]</p>
<p>Echo &amp; co &#8212; Harry Fainlight [36]</p>
<p>28 &#8212; Harry Fainlight [36]</p>
<p>You Have Wasted Your Life &#8212; Harry Fainlight [36]</p>
<p>The Home Book &#8212; James Schuyler [37-44]</p>
<p>Recoting &#8212; Dick Gallup [44]</p>
<h2>C: A Journal of Poetry Vol. 1 NR 8 (April 1964)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.8.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.8.200.jpg" width="200" height="330" alt="C Issue 8" title="C Issue 8"></a>Cover: Love Pictures by Ted Berrigan and Joe Brainard [i]</p>
<p>Title Page and Table of Contents [1]</p>
<p>From a Sonnet Sequence: Sonnet 20 (&#8220;the grand republic&#8217;s Poet is&#8221;) &#8212; Edwin Denby [2]</p>
<p>In His Distant Camp, Ted Awaits the Priests &#8212; Ron Padgett [2]</p>
<p>Mess Occupations (after Henri Michaux) &#8212; Ted Berrigan [3]</p>
<p>The voyage of the Argonauts (for Lionel Trilling) &#8212; Harlan Dangerfield [3]</p>
<p>From We Are Gentle Part I &#8212; David Shapiro [4]</p>
<p>Invention (to John Ashbery) &#8212; Ted Berrigan [4]</p>
<p>Literary Days &#8212; Tom Veitch [5-7]</p>
<p>Boils &#8212; Ted Berrigan, Gerard Malanga, Peter Orlovsky &amp; Ron Padgett [8-11]</p>
<p>Theme and Variation &#8212; Harry Fainlight [12]</p>
<p>(&#8220;The chant, le chant, the song&#8221;) &#8212; Harry Fainlight [12]</p>
<p>Childhood &#8212; Harry Fainlight [13]</p>
<p>Poem (&#8220;what matter of luxury is this?&#8221;) &#8212; Al Fowler [13]</p>
<p>A letter from Tom Veitch/ April 5, 1962 &#8212; Tom Veitch [13]</p>
<p>Book III: The Concluding Book &#8212; Joseph Ceravolo [14-19 </p>
<p>Eskimos again &#8212; Dick Gallup [19]</p>
<p>From The Gobble Gang Poems &#8212; Ed Sanders [20-21]</p>
<p>Some Bombs (Mistranslations) (after Reverdy) &#8212; Ron Padgett [22-25]</p>
<p>Prick Song &#8212; J Richard White [25]</p>
<p>February in San Francisco] &#8212; J Richard White [26]</p>
<p>Poem for Things &#8212; J Richard White [26</p>
<p>San Francisco Ephemeris &#8212; J Richard White [26]</p>
<p>Early Sunday Afternoon &#8212; J Richard White [27]</p>
<p>Conversation &#8212; J Richard White [27]</p>
<p>Il penseroso &#8212; Ted Berrigan [27]</p>
<p>The Secret Life of Ford Maddox Ford (for carol clifford) &#8212; Ted Berrigan</p>
<blockquote>
<p>	Stop stop six [28]</p>
<p>	Then I&#8217;d cry [28]</p>
<p>Fauna time [28-29]</p>
</blockquote>
<p>The upper arm (for Andy Warhol) &#8212; Ted Berrigan [29] </p>
<p>Sonnet XXVI (One sonnet for dick) &#8212; Ted Berrigan [29]</p>
<p>A Poem of the Forty-Eight States &#8212; Kenneth Koch [30-32]</p>
<p>Rain dunce (after Ted) &#8212; Ron Padgett [32]</p>
<p>Hygiene Sonnet &#8212; Dick Gallup [32]</p>
<p>Hatred &#8212; Frank O&#8217;Hara [33-35]</p>
<p>Reeling Midnight (to Pierre Reverdy) &#8212; Ted Berrigan [35]</p>
<p>The Jolly Abyss &#8212; Tom Veitch [36-40]</p>
<p>(&#8220;Spooky-wooky-wooky&#8221;) &#8212; Joe Brainard [40]</p>
<h2>C: A Journal of Poetry Vol. 1 Number 9 (Summer etc. 1964)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.9.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.9.200.jpg" width="181" height="300" alt="C Issue 9" title="C Issue 9"></a>Cover: Joe Brainard</p>
<p>Title page and table of contents [1]</p>
<p>Y..R D..K &#8212; Ron Padgett [2]</p>
<p>Begun &#8212; Ron Padgett [3]</p>
<p>The Rodent &#8212; Ron Padgett [3]</p>
<p>Jimmy &#8212; Ron Padgett [4]</p>
<p>To Henry James &#8212; Ron Padgett [4]</p>
<p>Some Plays &#8212; Ted Berrigan &amp; Ron Padgett</p>
<blockquote>
<p>	Looking For Chris [5]</p>
<p>	Teresa (A Play) [5]</p>
<p>	Seventeen (A Play for Kay Boyle) [5]</p>
<p>	Seventeen (A Play)</p>
<p>	Teresa [6]</p>
<p>	Seventeen (A Play for Signor Melone of Venice) [6]</p>
</blockquote>
<p>The Rest of the Secret Life of Ford Madox Ford &#8212; Ted Berrigan</p>
<blockquote>
<p>	On His Own [7]</p>
<p>	The Dance of the Broken Bomb [7]</p>
<p>	Putting Away [8]</p>
<p>	Owe [8-9]</p>
<p>	We Are Jungles [9]</p>
</blockquote>
<p>What Is That Flying Away? &#8212; Joe Ceravolo [10-16]</p>
<p>Life in Darkness &#8212; Dick Gallup [17-21]</p>
<p>From Newstand Report &#8212; John Stanton [22-23]</p>
<p>Sally &#8212; Joe Brainard [24-26]</p>
<p>Intersection Shifts and Scanning from Literary Days by Tom Veitch &#8212; William Burroughs [27]</p>
<p>From The Jolly Abyss &#8212; Tom Veitch [28-31]</p>
<p>Two Poems &#8212; David Shapiro</p>
<blockquote>
<p>	(&#8220;Light became audible, that is, a child, and took the empty place&#8221;) [32]</p>
<p>	(&#8220;The most terrible spasms&#8221;) [33]</p>
</blockquote>
<p>Three Poems &#8212; Tony Towle</p>
<blockquote>
<p>	Attached Poem [34]</p>
<p>	Poems (to Joe LeSueur) [34]</p>
<p>	Skylarks [34]</p>
</blockquote>
<p>Juvenglandia &#8212; Harry Fainlight [35-37]</p>
<p>To the Autumn Sunbeam God &#8212; Harry Fainlight [37]</p>
<p>White &#8212; John Ashbery [38]</p>
<p>Vocalise &#8212; John Ashbery [38-39]</p>
<p>Evening Quatrains &#8212; John Ashbery [39]</p>
<p>At the Railway Station &#8212; Kenneth Koch [40]</p>
<p>Dostoevski&#8217;s The Gambler &#8212; Kenneth Koch [40]</p>
<p>Triste E Una Donna &#8212; Kenneth Koch [41]</p>
<p>Morro Rock &#8212; Kenneth Koch [41]</p>
<p>Schweitzerreich &#8212; Kenneth Koch [41]</p>
<p>Mateeyanah &#8212; Kenneth Koch [41]</p>
<p>Wahego &#8212; Kenneth Koch [42]</p>
<p>In Harmonium &#8212; Kenneth Koch [42]</p>
<p>Chiaroscuro &#8212; Kenneth Koch [42]</p>
<p>Heanorupeatomos &#8211; &#8212; Kenneth Koch [43]</p>
<p>An X-Ray of Utah &#8212; Kenneth Koch [43] </p>
<p>Religiously &#8212; Kenneth Koch [43]</p>
<p>Givers of Winds Is My Name &#8212; William Burroughs [44-48]</p>
<p>Strum Night &#8212; Barbara Guest [49]</p>
<p>Looking at Flowers Through Tears &#8212; Barbara Guest [49-50]</p>
<p>Dada Proverb &#8212; Tristan Tzara [50]</p>
<p>The Change: Kyoto-Tokyo Express July 18, 1963 &#8212; Allen Ginsberg [51-54]</p>
<p>The Return of Yellow May &#8212; Kenneth Koch [55-57]</p>
<p>The Revolt of the Giant Animals &#8212; Kenneth Koch [58]</p>
<p>The Building of Florence &#8212; Kenneth Koch [59-60]</p>
<p>The Beverly Boys Summer Vacation &#8212; Kenneth Koch [61-64]</p>
<p>For the Chinese New Year &amp; For Bill Berkson &#8212; Frank O&#8217;Hara [65-67]</p>
<h2>C: A Journal of Poetry Vol. 1 No. 10 (February 14, 1965)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.10.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.10.200.jpg" width="181" height="300" alt="C Issue 10" title="C Issue 10"></a>Cover: Joe Brainard</p>
<p>Title Page and table of contents [1]</p>
<p>Poop &#8212; Francis Picabia [2]</p>
<p>Fits of Candor (A Manifesto) &#8212; Dick Gallup [2]</p>
<p>The Return of Philista &#8212; Dick Gallup [3]</p>
<p>Washington, July 5 &#8212; John Giorno [3] </p>
<p>Inside Speech &#8212; Harlan Dangerfield [4]</p>
<p>December &#8212; Giuseppe Ungaretti [4]</p>
<p>Brett &#8212; Ted Berrigan [5]</p>
<p>Brett (A Play) &#8212; Ron Padgett [5]</p>
<p>After Breakfast &#8212; Giuseppe Ungaretti [5]</p>
<p>Richard Cory &#8212; Ron Padgett [6]</p>
<p>Revised Poem &#8212; John Stanton [6]</p>
<p>Montana &#8212; Giuseppe Ungaretti [6]</p>
<p>Poem (&#8220;I stand last night near a lonely son-of-a-bitch.&#8221;) &#8212; Aram Saroyan [7]</p>
<p>From the Poetry Machine &#8212; Al Katzman [7]</p>
<p>Blandford, England, Sept. 23 &#8212; John Giorno [7]</p>
<p>December &#8212; Ron Padgett [7]</p>
<p>&#8220;Yes, I Am William Burroughs. . . .&#8221; &#8212; Tom Veitch [8-9]</p>
<p>To the Imperial Wizard &#8212; Jeff Giles [9]</p>
<p>A Grave &#8212; James Schuyler [10]</p>
<p>Moving &#8212; Aram Saroyan [10]</p>
<p>Georgia &#8212; Philippe Soupalt (trans. By Peter Schjeldahl) [10]</p>
<p>Dirge (South Africa) &#8212; David Shapiro [11]</p>
<p>From Five Songs &#8212; David Shapiro [11]</p>
<p>*From The Mutation of the Spirit &#8212; Gregory Corso [12-14]</p>
<p>*Precipice: A Story &#8212; Tom Veitch [15-17]</p>
<p>*The Day Before the Windowshade Fell &#8212; Les Gottesman [18]</p>
<p>*Apologies for the Angry Postcard &#8212; Les Gottesman [18]</p>
<p>*Principia Mathematica &#8212; Ron Padgett [18]</p>
<p>*Anecdote of Mumbly at Home &#8212; Louis Nasper [19]</p>
<p>*Homage to _______________ &#8211; John Perreault [19]</p>
<p>*Ragtime Cowboy Joe &#8212; Louis Nasper [19-20]</p>
<p>*From the Paris Sonnets &#8212; Peter Schjeldahl</p>
<blockquote>
<p>	Sonnet 16 (&#8220;Darkness rises from the sewers of Paris which I hear&#8221;) [20]</p>
<p>	Sonnet 20 (&#8220;I cannot go on like this  a mother hen&#8221;) [20]</p>
</blockquote>
<p>*We Hardly &#8212; Richard Huelsenbeck [21]</p>
<p>*&#8221;My arms are warm&#8221; &#8212; Aram Saroyan [22]</p>
<p>*Falling in Love in Spain or Mexico &#8212; Ron Padgett [22]</p>
<p>*Prison of Souls &#8212; Jeff Giles [22]</p>
<p>*Pomp Ilk &#8212; Dick Gallup [23]</p>
<p>*Mother Cabrini (a play) &#8212; Ted Berrigan [23]</p>
<p>*Poem (&#8220;In the corner of my room an American!&#8221;) &#8212; Aram Saroyan [24]</p>
<p>*My First Story &#8212; Szabo [24]</p>
<p>*Poem (I don&#8217;t belong to you&#8221;) &#8212; Harlan Dangerfield [24]</p>
<p>*Preface to &#8220;The Champ&#8221; &#8212; Kenward Elmslie [25-27]</p>
<p>*The Champ &#8212; Kenward Elmslie [27-34]</p>
<p>*Craze Man Wiliiker &#8212; Pierre Reiter [35]</p>
<p>*Memoirs &#8212; Douglas MacArthur [35]</p>
<p>*Secret Wallpaper &#8212; Ted Greenwald [36]</p>
<p>*The Pirates &#8212; David Shapiro [36]</p>
<p>*A Memory Filled with White &#8212; Giuseppe Ungaretti [36]</p>
<p>*(&#8220;There was an old prude from St. Paul&#8221;) &#8212; Harlan Dangerfield [37]</p>
<p>*(&#8220;A young maid awalking alone&#8221;) &#8212; Harlan Dangerfield [37]</p>
<p>*The Groundhog &#8212; Ted Berrigan [37]</p>
<p>*Song &#8212; Richard Kolmar [38]</p>
<p>*To Modigliani, to Prove to Him That I&#8217;m a Poet &#8212; Max Jacob [38]</p>
<p>*The Fernandez &#8212; Ron Padgett [39]</p>
<p>*Miss America &#8212; Kenneth Koch [39]</p>
<p>*Did Daniel Webster and Rufus Choate Plan to Enter Medicine &#8212; Joe Brainard [40-41]</p>
<p>*The Custard Sellers &#8212; James Schuyler [42-43]</p>
<p>*Ghost Tantra #9 &#8212; Michael McClure [43]</p>
<p>*Excerpt from The Jolly Abyss &#8212; Tom Veitch [44-46]</p>
<p>*Recipe Department &#8212; Hasheesh Fudge &#8212; Brion Gysin [46]</p>
<p>*(When the mercenaries ran away . . . &#8220;) with image [47]</p>
<p>Ten When My Eyes Were Hurting &#8212; Larry Swingle [48-50]</p>
<p>A Man Saw a Ball of Gold &#8212; Ron Padgett [50]</p>
<p>John Button Birthday &#8212; Frank O&#8217;Hara [51]</p>
<p>Can&#8217;t Keep &#8212; Joseph Ceravolo [51-52]</p>
<p>Sestina with a Lost Line &#8212; Bruce Kawin [52]</p>
<p>Poem (&#8220;A new telephone on the table&#8221;) &#8212; Aram Saroyan [53]</p>
<p>The Bermudas &#8212; Richard Kolmar &amp; Aram Saroyan [53]</p>
<p>Balance of Payments &#8212; John Ashbery [54]</p>
<p>Supplements &#8212; Tony Towle [55-57]</p>
<p>Ave Maria &#8212; Frank O&#8217;Hara [57]</p>
<p>Fits of Affection &#8212; John Dent [57]</p>
<p>The Ecclesiast &#8212; John Ashbery [58]</p>
<p>The Woman &#8212; Frank Lima [59]</p>
<p>In Three Parts &#8212; Ted Berrigan [59]</p>
<p>Fortune &#8212; John Ashbery [60-61]</p>
<p>Revolting (A one act play) &#8212; Dick Gallup [62]</p>
<p>The Courtier &#8212; Kenneth Koch [63]</p>
<p>En L&#8217;an Trentisme de Mon Eage &#8212; Kenneth Koch [63-65]</p>
<p>Leapfrog (for Jim Sears) &#8212; The Poem Machine [65]</p>
<p>Hoboken &#8212; John Ashbery [66-68]</p>
<p>(&#8220;From Aphrodite&#8221;) &#8212; Ed Sanders [68]</p>
<p>The Ode to Music (for Morton Subotnick) &#8212; Philip Whalen [69-72]</p>
<p>Fits of Nerves with a Fix &#8212; William Burroughs [72-73]</p>
<p>Street &#8212; Joe Ceravolo [74] </p>
<p>Ed Sanders&#8217; Language &#8212; Charles Olson [74]</p>
<p>Music &#8212; Joe Ceravolo [74]</p>
<h2>C: A Journal of Poetry Vol. 2 No. 11 (Summer 1965)</h2>
<p><a href="images/bibliographic_bunker/c_journal/c.11.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.11.200.jpg" width="200" height="330" alt="C Issue 11" title="C Issue 11"></a>Cover: Joe Brainard [i]</p>
<p>Title page and table of contents [1]</p>
<p>On Frank O&#8217;Hara&#8217;s Birthday &#8212; Ron Padgett &amp; Ted Berrigan [2]</p>
<p>Adios Lecture &#8212; Ken Weaver [3]</p>
<p>Police Lock &#8212; Aram Saroyan [4-5]</p>
<p>The Luis Armed Story &#8212; Tom Veitch [6-15]</p>
<p>From Looking For Chris &#8212; Ted Berrigan [16-23]</p>
<p>From The Bingo &#8212; Dick Gallup [24-26]</p>
<p>From Motor Maids Cross the Continent &#8212; Ron Padgett [27-32]</p>
<p>Two Stories &#8212; Barbara Guest</p>
<blockquote>
<p>	Another Daddy [32]</p>
<p>	The &#8220;Adventures of Tin-Tin&#8221; Story [32]</p>
</blockquote>
<p>Selections from a Novel &#8212; John Stanton [33-34]</p>
<p>Barbie and Ken &#8212; Kenward Elmslie [35-39]</p>
<p>From A Sonnet Sequence &#8212; Edwin Denby</p>
<blockquote>
<p>(&#8220;New York, smog dim under August&#8221;) [40]</p>
<p>(Neighbor sneaks refuse to my roof&#8221;) [40]</p>
<p>(In tooth and claw red, not nature&#8221;) [40]</p>
<p>(&#8220;Disorder, mental, strikes me; I&#8221;) [41]</p>
<p>(&#8220;In a hotelroom a madman&#8221;) [41]</p>
<p>(&#8220;Nocturnal void lower Fifth, I&#8221;) [42]</p>
<p>&#8220;Drenched saw Doris home, midnight gale&#8221; [42]</p>
<p>Sonnet 18 (&#8220;Sunday on the Senator&#8217;s estate&#8221;) [42]</p>
<p>Sonnet 19 (&#8220;The size balls are sudden Lamarch&#8221;) [42]</p>
<p>Sonnet 20 (&#8220;The grand republic&#8217;s Poet is&#8221;) [43]</p>
<p>Sonnet 21 (&#8220;Blue grey ridge, green grey leafage&#8221;) [43]</p>
<p>Sonnet 23 (&#8220;Heavy bus slows, New York my ride&#8221;) [44]</p>
<p>Sonnet 24 (&#8220;New year&#8217;s near, glass autumn long gone&#8221;) [44]</p>
<p>Sonnet 30 (&#8220;Roar drowns the reproach, facing him&#8221;) [44]</p>
</blockquote>
<p>Advertisement for an Ed Sanders Catalog [45]</p>
<p>From The Red Robins &#8212; Kenneth Koch [46-55]</p>
<p>Frost &#8211; Harlan Dangerfield [56]</p>
<p>Saturday Night at the Movies &#8212; Harlan Dangerfield [56]</p>
<p>A Fine Thing &#8212; Tom Veitch [56]</p>
<h2>C: A Journal of Poetry Vol. 2 No. 12 (NEVER ISSUED)</h2>
<h2>C: A Journal of Poetry Vol. 2 No. 13 (May 1966)</h2>
<p>This issue has printed page numbers in the upper right corner beginning with page 2 after the cover and title page. As a result , the page numbers are not placed in brackets.</p>
<p><a href="images/bibliographic_bunker/c_journal/c.13.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/c.13.200.jpg" width="200" height="330" alt="C Issue 13" title="C Issue 13"></a>Cover page: Image of a stencil cutter by Joe Brainard</p>
<p>Table of contents and title page [1]</p>
<p>In Praise of the Postal System &#8212; Stéphane Mallarmé p. 2</p>
<p>From The Bingo &#8212; Dick Gallup pp. 3-7</p>
<p>Mortality &#8212; Théophile Gautier p. 8 </p>
<p>The Suitor &#8211; Théophile Gautier pp. 8-9</p>
<p>From Julius Caesar &#8212; tran. John J. Murphy p. 10</p>
<p>The Heavenly Skater &#8212; Pierre Reverdy p. 11</p>
<p>At Dawn &#8212; Pierre Reverdy p. 11</p>
<p>The Traveller and His Shadow &#8212; Pierre Reverdy p. 11</p>
<p>Fetish &#8212; Pierre Reverdy p. 11</p>
<p>Natural Greatness &#8212; Pierre Reverdy p. 12</p>
<p>The Hard Heart &#8212; Pierre Reverdy p. 12</p>
<p>From Clear the Range &#8212; Ted Berrigan pp. 13-15</p>
<p>The Great Melancholy of an Avenue &#8212; Phillipe Soupault p. 15</p>
<p>Fragment &#8212; William Saroyan p. 16</p>
<p>Saving Japan &#8212; Theresa Mitchell p. 17-18</p>
<p>Two Sad Birds &#8212; Harry Mathews pp. 19-20</p>
<p>Brunswick Stew &#8212; Joe Brainard p. 21</p>
<p>Alas! &#8212; Max Jacob p. 21</p>
<p>History of France &#8212; Kenward Elmslie pp. 22-23</p>
<p>Valiant Warrior on Foreign Soil &#8212; Max Jacob p. 23</p>
<p>Juile ou la rose &#8212; Guillaume Apollinaire pp. 24-29</p>
<blockquote>
<p>	Julie ou j&#8217;ai prete ma rose pp. 24-25</p>
<p>	Corona di Cazzi p. 25</p>
<p>	Epithalame p. 25</p>
<p>	In Vase Proepostero p. 26</p>
<p>	Petit Balai p. 26</p>
<p>	Le teint p. 26</p>
<p>	VIII (&#8220;Linda la noire aux paumes roses&#8221;) p. 26</p>
<p>	CartesPostales pp. 27-28</p>
<p>	Le Chat p. 28</p>
<p>	Le Negre p. 28</p>
<p>	Quelques Distiques Pour Plaire a Dupuy pp. 28-29</p>
<p>	Bibilographie p. 29</p>
<p>	Justification p. 29</p>
<p>	Notes on this C Edition p. 29</p>
</blockquote>
<p>The Julie or the Rose Newsletter &#8212; Ron Padgett ed. pp. 30-31</p>
<blockquote>
<p>	Introduction p. 30</p>
<p>	Commentaries, blurbs p. 30</p>
<p>	Two letters from Pascal Pia pp. 30-31</p>
<p>	Letter from Leroy Breunig p. 31</p>
<p>	Notes p. 31</p>
</blockquote>
<p>Notices p. 31</p>
<p>Blank back cover [32]</p>
<h2>C: A Journal of Poetry No. 14 (1967)</h2>
<p><a href="images/bibliographic_bunker/c_journal/michael-brownstein.behind-the-wheel.jpg" target="_blank"><img loading="lazy" decoding="async" src="images/bibliographic_bunker/c_journal/michael-brownstein.behind-the-wheel.200.jpg" width="200" height="259" alt="Michael Brownstein, Behind the Wheel" title="Michael Brownstein, Behind the Wheel"></a>Behind the Wheel &#8212; Michael Brownstein</p>
<p>	No Empty Hands [2]</p>
<p>Nations [3]]</p>
<p>Sunny Barn, Special Guests [4]</p>
<p>Behind the Wheel [5]</p>
<p>The Plains of Abraham [6]</p>
<p>Large Blue [7]</p>
<p>Fingertips [8]</p>
<p>Janice [9]</p>
<p>*Lily Flower [10] &#8212; Missing from Harter Index</p>
<p>*Waitress [11] &#8212; Missing from Harter Index</p>
<p>*News [12]</p>
<p>*Florence Was Fine in the Summertime [13]</p>
<p>*Clean &amp; Clear [14]</p>
<p>*Poem (&#8220;Yours the taught climb borne security&#8221;) [15]</p>
<p>*Navel [16]</p>
<p>*Pond [17]</p>
<p>*A Final Storm [18]</p>
<p>*Coincidences [19]</p>
<p>*Moving You Along [20]</p>
<p>*Massachusetts [21]</p>
<p>*Against the Grain [22]</p>
<p>*Typhoon [23]</p>
<p>*A Modern Instance [24]</p>
<p>*Pounds and Ounces [25]</p>
<p>Colophon [26]</p>
<p>Author Bio [27]</p>
<div id="endnote">
Written by Jed Birmingham and published by RealityStudio on 12 August 2013.
</div>
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