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	<title>
	Comments on: Interview with George Mattingly	</title>
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	<link>https://realitystudio.org</link>
	<description>A William S. Burroughs Community</description>
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		<title>
		By: MR ROY PENNINGTON		</title>
		<link>https://realitystudio.org/interviews/interview-with-george-mattingly/comment-page-1/#comment-927029</link>

		<dc:creator><![CDATA[MR ROY PENNINGTON]]></dc:creator>
		<pubDate>Fri, 28 Oct 2022 11:07:59 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=4869#comment-927029</guid>

					<description><![CDATA[nice to see this interview printed in Beat Scene no. 105 late summer 2022  : i would like  to have known more about why the later &quot;different version&quot; (be it Calder 1983 or Blue Wind) had the pictures removed from the original first edition Covent Garden publication 1973 eg the pretty little blue eyed teenager (page 49) = i guess the clue is in note (p. 8) in the Calder printing that it was &quot;subsidised by the Arts Council of Great Britain&quot; =]]></description>
			<content:encoded><![CDATA[<p>nice to see this interview printed in Beat Scene no. 105 late summer 2022  : i would like  to have known more about why the later &#8220;different version&#8221; (be it Calder 1983 or Blue Wind) had the pictures removed from the original first edition Covent Garden publication 1973 eg the pretty little blue eyed teenager (page 49) = i guess the clue is in note (p. 8) in the Calder printing that it was &#8220;subsidised by the Arts Council of Great Britain&#8221; =</p>
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		<title>
		By: Jim Pennington		</title>
		<link>https://realitystudio.org/interviews/interview-with-george-mattingly/comment-page-1/#comment-895479</link>

		<dc:creator><![CDATA[Jim Pennington]]></dc:creator>
		<pubDate>Mon, 03 May 2021 13:16:55 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=4869#comment-895479</guid>

					<description><![CDATA[Buroughs was getting the cold shoulder in London in the last years he was there. Cape were positively obstructive when The Job came out.  Of course, the other way of looking at publishers&#039; reticence is that they wanted to repress his experimental/revolutionary works -  &quot;Revised Boy Scout&#039;s Manual&quot; anyone?]]></description>
			<content:encoded><![CDATA[<p>Buroughs was getting the cold shoulder in London in the last years he was there. Cape were positively obstructive when The Job came out.  Of course, the other way of looking at publishers&#8217; reticence is that they wanted to repress his experimental/revolutionary works &#8211;  &#8220;Revised Boy Scout&#8217;s Manual&#8221; anyone?</p>
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		<title>
		By: James Ward		</title>
		<link>https://realitystudio.org/interviews/interview-with-george-mattingly/comment-page-1/#comment-895447</link>

		<dc:creator><![CDATA[James Ward]]></dc:creator>
		<pubDate>Mon, 03 May 2021 01:28:58 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=4869#comment-895447</guid>

					<description><![CDATA[I neglected to thank George in my earlier comments for what is a terrific and widely available edition (I have both paperback and hard cover of the Blue Wind), and I actually really love the cover, and the explication of it..]]></description>
			<content:encoded><![CDATA[<p>I neglected to thank George in my earlier comments for what is a terrific and widely available edition (I have both paperback and hard cover of the Blue Wind), and I actually really love the cover, and the explication of it..</p>
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		<title>
		By: Jan Herman		</title>
		<link>https://realitystudio.org/interviews/interview-with-george-mattingly/comment-page-1/#comment-895437</link>

		<dc:creator><![CDATA[Jan Herman]]></dc:creator>
		<pubDate>Sun, 02 May 2021 18:44:19 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=4869#comment-895437</guid>

					<description><![CDATA[Lotsa great info, George. I like the way you lay it out there—honestly and modestly. It&#039;s also a reminder of how much Blue Wind achieved while it lasted, not only for the content and quality of the books, but for your ability to master the difficulties of small press publishing. 

When it came to financing and distributing my Nova Broadcast Press books, I got something of a free ride by comparison. The Nova Bs were essentially financed by a printing company in Richmond that used downtime on their presses to print them. The company had to pay their unionized plant employees anyway, so it figured it might as well use the presses. Another incentive was that the company might earn income from the sale of the books. It also stored the  inventory, so I didn&#039;t have to. And since the books were listed in the City Lights catalogue, another key aspect of the whole venture, I didn&#039;t have to face the kind of small press distribution pressures you faced.

One minor clarification:  I was actually was hoping to do &quot;The Book of Breething&quot; for  Something Else Press when I was the SEP editor. I even contracted to do it with William before SEP went completely, officially belly up. And by then I was in no position to do it as a Nova B book. My wife was pregnant and soon to give birth. I was on unemployment and beginning to freelance as a journalist to make a living. So I was grateful that you took on the book and absolutely pleased that it was done so well. ]]></description>
			<content:encoded><![CDATA[<p>Lotsa great info, George. I like the way you lay it out there—honestly and modestly. It&#8217;s also a reminder of how much Blue Wind achieved while it lasted, not only for the content and quality of the books, but for your ability to master the difficulties of small press publishing. </p>
<p>When it came to financing and distributing my Nova Broadcast Press books, I got something of a free ride by comparison. The Nova Bs were essentially financed by a printing company in Richmond that used downtime on their presses to print them. The company had to pay their unionized plant employees anyway, so it figured it might as well use the presses. Another incentive was that the company might earn income from the sale of the books. It also stored the  inventory, so I didn&#8217;t have to. And since the books were listed in the City Lights catalogue, another key aspect of the whole venture, I didn&#8217;t have to face the kind of small press distribution pressures you faced.</p>
<p>One minor clarification:  I was actually was hoping to do &#8220;The Book of Breething&#8221; for  Something Else Press when I was the SEP editor. I even contracted to do it with William before SEP went completely, officially belly up. And by then I was in no position to do it as a Nova B book. My wife was pregnant and soon to give birth. I was on unemployment and beginning to freelance as a journalist to make a living. So I was grateful that you took on the book and absolutely pleased that it was done so well. </p>
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		<item>
		<title>
		By: James Ward		</title>
		<link>https://realitystudio.org/interviews/interview-with-george-mattingly/comment-page-1/#comment-895428</link>

		<dc:creator><![CDATA[James Ward]]></dc:creator>
		<pubDate>Sun, 02 May 2021 10:08:32 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=4869#comment-895428</guid>

					<description><![CDATA[It seems to me Port of Saints is full of themes seen in later trilogy.. And the unforgettable images are amongst his best, and perhaps most personal. I first read the Calder edition around 1984, (with an image of a part of the text itself as the cover), and later acquired the Blue Wind.. (tho I prefer the Am Here books cover with its Marie Celeste references..) From Wild Boys on, all Burroughs&#039; work seems connected on complex dream lines, repeated and reworked images, and themes, and this fills what would have been an inexplicable stylistic gap in his oeuvre.. and I absolutely agree it is a major piece. Thank you for the terrific interview.. (My two cents..)]]></description>
			<content:encoded><![CDATA[<p>It seems to me Port of Saints is full of themes seen in later trilogy.. And the unforgettable images are amongst his best, and perhaps most personal. I first read the Calder edition around 1984, (with an image of a part of the text itself as the cover), and later acquired the Blue Wind.. (tho I prefer the Am Here books cover with its Marie Celeste references..) From Wild Boys on, all Burroughs&#8217; work seems connected on complex dream lines, repeated and reworked images, and themes, and this fills what would have been an inexplicable stylistic gap in his oeuvre.. and I absolutely agree it is a major piece. Thank you for the terrific interview.. (My two cents..)</p>
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