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	<title>
	Comments on: #13: The Olympia Naked Lunch	</title>
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	<link>https://realitystudio.org</link>
	<description>A William S. Burroughs Community</description>
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		<title>
		By: James Ward		</title>
		<link>https://realitystudio.org/bibliographic-bunker/the-top-23-most-interesting-burroughs-collectibles/13-the-olympia-naked-lunch/comment-page-1/#comment-894915</link>

		<dc:creator><![CDATA[James Ward]]></dc:creator>
		<pubDate>Sat, 17 Apr 2021 06:07:08 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=3191#comment-894915</guid>

					<description><![CDATA[Yes OK, I suppose I&#039;m just thinking of the Burroughs corpus as a single complex work (as I do, in a way).. Not so with Dylan somehow.. I think he once said that his songs could not be considered whole - or did he say great - as pieces in themselves, considered apart from the performing.. (Interestingly, he only really enthuses about the shorter Burroughs magazine pieces of that time, far as I&#039;m aware..) But yes, on art v show biz, if that is still valid, I can only empathise with you.. And I do admit that the Olympia Naked Lunch is and remains unspeakably hip/ edgy, whatever the correct term is..]]></description>
			<content:encoded><![CDATA[<p>Yes OK, I suppose I&#8217;m just thinking of the Burroughs corpus as a single complex work (as I do, in a way).. Not so with Dylan somehow.. I think he once said that his songs could not be considered whole &#8211; or did he say great &#8211; as pieces in themselves, considered apart from the performing.. (Interestingly, he only really enthuses about the shorter Burroughs magazine pieces of that time, far as I&#8217;m aware..) But yes, on art v show biz, if that is still valid, I can only empathise with you.. And I do admit that the Olympia Naked Lunch is and remains unspeakably hip/ edgy, whatever the correct term is..</p>
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		<title>
		By: Jed		</title>
		<link>https://realitystudio.org/bibliographic-bunker/the-top-23-most-interesting-burroughs-collectibles/13-the-olympia-naked-lunch/comment-page-1/#comment-894880</link>

		<dc:creator><![CDATA[Jed]]></dc:creator>
		<pubDate>Fri, 16 Apr 2021 10:24:36 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=3191#comment-894880</guid>

					<description><![CDATA[James,

I just can’t do it.  And yes part of it is the Nike thing.  But part of it is Burroughs happiness in getting into the Academy of Arts and Letters. Part of its his last words.  And a big part is how his later works were published and promoted.  In short Burroughs went commercial, he went bureaucratic and institutionalized, he went soft philosophically and he went corporate.  This is a turning away from his Golden years which had little to do with his published novels of the 1957-1965 period and everything to do with his Mimeo Revolution appearances in those years not just the work itself but how it was published and the philosophy behind that publication. 

As for Dylan he is great and I like parts of his work the whole career but he played a role from the beginning.  He played the folkie he played the poet he played C&#038;W he played singer songwriter he played the gospel etc etc.  Dylan was with Columbia from the start.  He was always Judas.]]></description>
			<content:encoded><![CDATA[<p>James,</p>
<p>I just can’t do it.  And yes part of it is the Nike thing.  But part of it is Burroughs happiness in getting into the Academy of Arts and Letters. Part of its his last words.  And a big part is how his later works were published and promoted.  In short Burroughs went commercial, he went bureaucratic and institutionalized, he went soft philosophically and he went corporate.  This is a turning away from his Golden years which had little to do with his published novels of the 1957-1965 period and everything to do with his Mimeo Revolution appearances in those years not just the work itself but how it was published and the philosophy behind that publication. </p>
<p>As for Dylan he is great and I like parts of his work the whole career but he played a role from the beginning.  He played the folkie he played the poet he played C&amp;W he played singer songwriter he played the gospel etc etc.  Dylan was with Columbia from the start.  He was always Judas.</p>
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			</item>
		<item>
		<title>
		By: James Ward		</title>
		<link>https://realitystudio.org/bibliographic-bunker/the-top-23-most-interesting-burroughs-collectibles/13-the-olympia-naked-lunch/comment-page-1/#comment-894867</link>

		<dc:creator><![CDATA[James Ward]]></dc:creator>
		<pubDate>Fri, 16 Apr 2021 01:01:26 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=3191#comment-894867</guid>

					<description><![CDATA[I think narrowing Burroughs&#039; importance to the golden years of the mid sixties is a akin to saying Dylan never bettered Highway 61.. Which is only kind of true.. But the greatness of Burroughs is evident even in his later minor works, just as with Dylan.. &quot;It&#039;s alright Ma..&quot;: that line tickled me pink.. Wonderful read..]]></description>
			<content:encoded><![CDATA[<p>I think narrowing Burroughs&#8217; importance to the golden years of the mid sixties is a akin to saying Dylan never bettered Highway 61.. Which is only kind of true.. But the greatness of Burroughs is evident even in his later minor works, just as with Dylan.. &#8220;It&#8217;s alright Ma..&#8221;: that line tickled me pink.. Wonderful read..</p>
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		<item>
		<title>
		By: kevin gill (@kgill0060)		</title>
		<link>https://realitystudio.org/bibliographic-bunker/the-top-23-most-interesting-burroughs-collectibles/13-the-olympia-naked-lunch/comment-page-1/#comment-748869</link>

		<dc:creator><![CDATA[kevin gill (@kgill0060)]]></dc:creator>
		<pubDate>Sat, 13 Aug 2016 01:19:00 +0000</pubDate>
		<guid isPermaLink="false">https://realitystudio.org/?page_id=3191#comment-748869</guid>

					<description><![CDATA[WSB IS A HERO THE QUINTESSENTIAL LITERARY OUTLAW EL HOMBRE INVISIBLE]]></description>
			<content:encoded><![CDATA[<p>WSB IS A HERO THE QUINTESSENTIAL LITERARY OUTLAW EL HOMBRE INVISIBLE</p>
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