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	<title>
	Comments on: Bebop Burroughs	</title>
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	<description>A William S. Burroughs Community</description>
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		<title>
		By: cherie nutting		</title>
		<link>https://realitystudio.org/bibliographic-bunker/bebop-burroughs/comment-page-1/#comment-133932</link>

		<dc:creator><![CDATA[cherie nutting]]></dc:creator>
		<pubDate>Sun, 27 Feb 2011 19:26:28 +0000</pubDate>
		<guid isPermaLink="false">http://pornosec.com/bibliographic-bunker/bebop-burroughs/#comment-133932</guid>

					<description><![CDATA[What a shame that Burroughs supported The Master Musicians of Jajouka and the group&#039;s name is mis spelled here implying he supported the Joujouka group which he did not.]]></description>
			<content:encoded><![CDATA[<p>What a shame that Burroughs supported The Master Musicians of Jajouka and the group&#8217;s name is mis spelled here implying he supported the Joujouka group which he did not.</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Jed		</title>
		<link>https://realitystudio.org/bibliographic-bunker/bebop-burroughs/comment-page-1/#comment-496</link>

		<dc:creator><![CDATA[Jed]]></dc:creator>
		<pubDate>Wed, 14 Feb 2007 10:40:29 +0000</pubDate>
		<guid isPermaLink="false">http://pornosec.com/bibliographic-bunker/bebop-burroughs/#comment-496</guid>

					<description><![CDATA[&quot;In Timbuctu, I once saw an Arab boy who could play a flute with his ass, and the fairies told me he was really an individual in bed....The boy was a great artist when it came to improvising new combines and special climaxes, some of them notes of the unknown, tie-ups of seeming discords that would suddenly break through each other and crash through with a stunning hot, sweet impact.&quot; (NL pp 134-135)

This is the closing to the Talking Asshole routine.  A five part tour de force that has become the centerpiece of Naked Lunch and the definitive example of the rountine form.  This piece has been examined forwards and backwards.  The relationship to the discussion of jazz above is obvious.  For Burroughs the great artists like a free jazz musicians explores new combinations and breaks the controlling influence of established and traditinal structures.  Seeming discontinuities, negaive capability (think Keats&#039;s late letters), Ginsberg hydrogen jukebox are all in play here and form the foundation for a new freedom in expression and art.]]></description>
			<content:encoded><![CDATA[<p>&#8220;In Timbuctu, I once saw an Arab boy who could play a flute with his ass, and the fairies told me he was really an individual in bed&#8230;.The boy was a great artist when it came to improvising new combines and special climaxes, some of them notes of the unknown, tie-ups of seeming discords that would suddenly break through each other and crash through with a stunning hot, sweet impact.&#8221; (NL pp 134-135)</p>
<p>This is the closing to the Talking Asshole routine.  A five part tour de force that has become the centerpiece of Naked Lunch and the definitive example of the rountine form.  This piece has been examined forwards and backwards.  The relationship to the discussion of jazz above is obvious.  For Burroughs the great artists like a free jazz musicians explores new combinations and breaks the controlling influence of established and traditinal structures.  Seeming discontinuities, negaive capability (think Keats&#8217;s late letters), Ginsberg hydrogen jukebox are all in play here and form the foundation for a new freedom in expression and art.</p>
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