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The most disturbing aspect of the film, however, is the invention of a character who does not appear in the novel, Yves Cloquet (Julian Sands) is an effete, predatory homosexual who (re-creating every straight man's worst nightmare about gay sex) murders a young man while fucking him in the film's most overtly homophobic scene....but he can't depict two men fucking without transforming one of them into a giant centipede and turning it into a brutal, violent, antierotic act.
Ironic that Weisel's strongest objection is to one of the only scenes in the film that's truly in the spirit of Burroughs. You wonder if Weisel even read NL or anything else by WSB, because his books are filled with images of sexual acts followed by murder or transformation into various creatures.