William Burroughs in Anthologies
Tags: Anthologies, William BurroughsReports from the Bibliographic Bunker
Jed Birmingham on William S. Burroughs Collecting
Gene Feldman and Max Gartenberg (editors)
Protest: The Beat Generation and the Angry Young Men
Citadel, 1958
William Burroughs contributes (as “William Lee”) “My First Days on Junk”
(Maynard & Miles B1)
Gene Feldman and Max Gartenberg (editors)
Protest: The Beat Generation and the Angry Young Men
Dell Books, 1959
William Burroughs contributes (as “William Lee”) “My First Days on Junk”
(Maynard & Miles B1)
Gene Feldman and Max Gartenberg (editors)
Protest: The Beat Generation and the Angry Young Men
Panther, 1959
William Burroughs contributes (as “William Lee”) “My First Days on Junk”
(Maynard & Miles B2)
Seymour Krim (editor)
The Beats
Fawcett, 1960
William Burroughs contributes “Two Episodes from The Naked Lunch“
(Maynard & Miles B3)
David Ebin (editor)
The Drug Experience: First-Person Accounts of Addicts, Writers, Scientists, and Others
Orion Press, 1961
William Burroughs contributes “I Went into Pushing with Bill Gains” (excerpt from Junkie) and “I Saw the Apomorphine Treatment Really Work” (reprint of “Newspeak Précis” and “Deposition: Testimony Concerning a Sickness” from Evergreen Review)
(Maynard & Miles B6)
Terry Southern, Richard Seaver, Alexander Trocchi (editors)
Writers in Revolt
Frederick Fell, 1963
William Burroughs contributes “From Naked Lunch“
(Maynard & Miles B9)
Leroi Jones (editor)
The Moderns
Corinth Books, 1963
William Burroughs contributes “Vaudeville Voices,” “Berserk Machine,” “The Ticket That Exploded,” “Note on Vaudeville Voices,” and “The Cut Up Method”
(Maynard & Miles B10)
Dan Wakefield (editor)
The Addict
Fawcett, 1963
William Burroughs contributes “Feeding the Monkey”
(Maynard & Miles B11)
David Solomon (editor)
LSD: The Consciousness-Expanding Drug
Putnam, 1964
William Burroughs contributes “Points of Distinction Between Sedative and Consciousness Expanding Drugs”
See also “William Burroughs and David Solomon“
(Maynard & Miles B15)
Terry Southern, Richard Seaver, Alexander Trocchi (editors)
Writers in Revolt (front)
Berkley Publishing, 1965
William Burroughs contributes “From Naked Lunch“
(Maynard & Miles B9)
Terry Southern, Richard Seaver, Alexander Trocchi (editors)
Writers in Revolt (back)
Berkley Publishing, 1965
William Burroughs contributes “From Naked Lunch“
(Maynard & Miles B9)
Leroi Jones (editor)
The Moderns
MacGibbon & Kee, London, 1965
William Burroughs contributes “Vaudeville Voices,” “Berserk Machine,” “The Ticket That Exploded,” “Note on Vaudeville Voices,” and “The Cut Up Method”
(Maynard & Miles B10)
David Ebin (editor)
The Drug Experience: First-Person Accounts of Addicts, Writers, Scientists, and Others
Grove Press, 1965
William Burroughs contributes “I Went into Pushing with Bill Gains” (excerpt from Junkie) and “I Saw the Apomorphine Treatment Really Work” (reprint of “Newspeak Précis” and “Deposition: Testimony Concerning a Sickness” from Evergreen Review)
(Maynard & Miles B6b)
Darazt: An Anthology
Lovebooks Limited, 1965
William Burroughs contributes “Who is the Walks Beside Written 3rd”
(Maynard & Miles B16)
Gil Orlovitz (editor)
The Award Avant-Garde Reader
Award, 1965
William Burroughs contributes “Proclaim Present Time Over”
(Maynard & Miles B17)
Donald M. Allen and Robert Creeley (editors)
The New American Story
Grove Press, 1965
William Burroughs contributes “Ordinary Men and Woman” and “Censorship”
(Maynard & Miles B18)
Maurice Girodias (editor)
The Best of Olympia
New English Library, 1966
William Burroughs contributes “The Ticket That Exploded”
(Maynard & Miles B25)
Maurice Girodias (editor)
The Olympia Reader
Ballantine Books 1967
William Burroughs contributes excerpts from Naked Lunch, The Ticket That Exploded, The Soft Machine
(Maynard & Miles B19b)
Barney Rosset (editor)
Evergreen Review Reader
Grove Press, 1968
William Burroughs contributes “Deposition: Testimony Concerning a Sickness,” “From Naked Lunch,” and “Comments on ‘The Night before Thinking’”
(Maynard & Miles B44)
Jesse Kornbluth (editor)
Notes from the New Underground
An Ace Book, By arrangement with Viking Press, 1968
William Burroughs contributes “Academy 23: A Deconditioning”
(Maynard & Miles B41)
Thomas Parkinson (editor)
A Casebook on the Beat
Thomas Y. Crowell Company, 1969 (8th Printing)
William Burroughs contributes “Deposition: Testimony Concerning a Sickness,” “The Cut Up Method of Brion Gysin,” and “A Newspeak Precis of the Article Made in Its Image with its Materials.”
Also contains:
Alan Ansen, “Anyone Who Can Pick Up a Frying Pan Owns Death”
Paul Bowles, “Burroughs in Tangier”
James Haskins and Kathleen Benson (editors)
The 60s Reader
Viking Kestrel, 1970
William Burroughs contributes “Academy 23: A Deconditioning”
Richard Kostelanetz (editor)
Breakthrough Fictioneers (front)
Something Else Press, 1973
Richard Kostelanetz (editor)
Breakthrough Fictioneers (back)
Something Else Press, 1973
David Young (editor)
The Story So Far (front)
The Coach House Press, Toronto, 1974
William Burroughs contributes “The Health Officer”
David Young (editor)
The Story So Far (back)
The Coach House Press, Toronto, 1974
William Burroughs contributes “The Health Officer”
Jacques Sadoul
Univers 10
J’ai Lu, 1977
William Burroughs contributes “Parler pour Joe”
Maurice Girodias (editor)
The Olympia Reader
Black Cat Book (Grove Press), 1983 (5th Printing)
William Burroughs contributes excerpts from Naked Lunch, The Ticket That Exploded, The Soft Machine
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Jim Fleming and Peter Lamborn Wilson (editors)
Semiotext(e) USA
Semiotext(e), 1987
William Burroughs contributes “Sects and Death”
Arthur and Kit Knight (editors)
The Beat Vision
Paragon House, 1987
William Burroughs contributes “William Burroughs Letter to Jack Kerouac”
-sf.jpg "Semiotext(e) SF")
Rudy Rucker, Peter Lamborn Wilson, and Robert Anton Wilson (editors)
Semiotext(e) SF
Semiotext(e), 1989
William Burroughs contributes “The CIA Reporter” and “The New Boy”
Reverend Ivan Stang (editor)
Three-Fisted Tales of Bob
Simon & Schuster Fireside, 1990
William Burroughs contributes “Behind-Foreeverafterword: Sects and Death”
Andy Watson and Mark Ziesing (editors)
Journal Wired 3 (front)
California, 1990
Andy Watson and Mark Ziesing (editors)
Journal Wired 3 (back)
California, 1990
John Strausbaugh and Donald Blaise (editors)
The Drug User
Blast Books And Dolphin-Moon Press, 1991
William Burroughs contributes a foreward and the cover painting “Burn Unit”
Larry McCaffery (editor)
Storming the Reality Studio (front)
Duke University Press, 1992
Larry McCaffery (editor)
Storming the Reality Studio (back)
Duke University Press, 1992
Amy Scholder and Ira Silverberg (editors)
High Risk: An Anthology Of Forbidden Writings
A Plume Book, 1991
William Burroughs contributes “Just Say No To Drug Hysteria”
Ann Charters (editor)
The Penguin Book of the Beats
Penguin Books, 1993
William Burroughs contributes “Deposition: Testimony Concerning a Sickness” as well as excerpts from Junky, The Yage Letters, and Naked Lunch
Richard Gilliam, Martin H. Greenberg, and Edward E. Kramer (editors)
A Confederacy of the Dead
A Roc Book, June 1993
William Burroughs contributes “Death Fiend Guerillas”
Elisa Segrave (editor)
The Junky’s Christmas and Other Yuletide Stories
Serpent’s Tail, 1994
William Burroughs contributes “The Junky’s Christmas”
Ellen Datlow (editor)
Twists of the Tale
Dell, 1996
William Burroughs contributes “Ruski”
Simon Dwyer (editors)
Rapid Eye (front)
Creation, 1996
William Burroughs contributes “The Fall of Art,” “And His Name Was Rover,” and “The Johnson Family.” Also includes interview with Burroughs conducted by V. Vale.
Simon Dwyer (editors)
Rapid Eye (back)
Creation, 1996
William Burroughs contributes “The Fall of Art,” “And His Name Was Rover,” and “The Johnson Family.” Also includes interview with Burroughs conducted by V. Vale.