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	<title>Comments on: Floating Bear Archive</title>
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	<description>A William S. Burroughs Community</description>
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		<title>By: Jed</title>
		<link>http://realitystudio.org/bibliographic-bunker/floating-bear-archive/comment-page-1/#comment-76869</link>
		<dc:creator>Jed</dc:creator>
		<pubDate>Mon, 29 Jun 2009 05:46:30 +0000</pubDate>
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		<description>There is an Ed Sanders exhibit at The Arm in Brooklyn.  Details:  http://thearmnyc.com/news/2009/06/ed_sanders_show_at_the_arm

I hear there are paste-ups of the various Fuck You, a magazine of the arts issues as well as rare and virtually unseen ephemerial items.  The opening in on July 10th.</description>
		<content:encoded><![CDATA[<p>There is an Ed Sanders exhibit at The Arm in Brooklyn.  Details:  <a href="http://thearmnyc.com/news/2009/06/ed_sanders_show_at_the_arm" rel="nofollow">http://thearmnyc.com/news/2009/06/ed_sanders_show_at_the_arm</a></p>
<p>I hear there are paste-ups of the various Fuck You, a magazine of the arts issues as well as rare and virtually unseen ephemerial items.  The opening in on July 10th.</p>
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		<title>By: jed</title>
		<link>http://realitystudio.org/bibliographic-bunker/floating-bear-archive/comment-page-1/#comment-76031</link>
		<dc:creator>jed</dc:creator>
		<pubDate>Sat, 13 Jun 2009 14:03:56 +0000</pubDate>
		<guid isPermaLink="false">http://pornosec.com/bibliographic-bunker/floating-bear-archive/#comment-76031</guid>
		<description>Duncan&#039;s Night Scenes appeared in Issue 19 of FB.  You can see the first few stanzas in the archive.  Duncan also appeared in Fuck You, the 5/7 issue that also included William Burroughs and in Robert Kelly&#039;s Matter so he was in other NY mimeos but you were more likely to see him in West Coast mimeos like J (a classic mimeo that you almost never see copies of), Wild Dog, and Sum.  Fred Wah (of Tish) edited Sum when he was a grad student at the University of New Mexico when Robert Creeley was a lecturer there.  Given Wah and Creeley&#039;s presence in NM you can see why Duncan read there in 1964.</description>
		<content:encoded><![CDATA[<p>Duncan&#8217;s Night Scenes appeared in Issue 19 of FB.  You can see the first few stanzas in the archive.  Duncan also appeared in Fuck You, the 5/7 issue that also included William Burroughs and in Robert Kelly&#8217;s Matter so he was in other NY mimeos but you were more likely to see him in West Coast mimeos like J (a classic mimeo that you almost never see copies of), Wild Dog, and Sum.  Fred Wah (of Tish) edited Sum when he was a grad student at the University of New Mexico when Robert Creeley was a lecturer there.  Given Wah and Creeley&#8217;s presence in NM you can see why Duncan read there in 1964.</p>
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		<title>By: jed</title>
		<link>http://realitystudio.org/bibliographic-bunker/floating-bear-archive/comment-page-1/#comment-76027</link>
		<dc:creator>jed</dc:creator>
		<pubDate>Sat, 13 Jun 2009 11:48:25 +0000</pubDate>
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		<description>Here is a brief introduction by Robert Duncan from a reading in New Mexico in 1964.  He mentions Floating Bear and particularly its status as a New York magazine and what it meant for a SF poet to appear there.  This highlights Di Prima and Jones&#039; willingness to tear down borders and publish anything that was considered new writing.  It also foreshadows the Bear&#039;s shift to SF in the later issues when Di Prima moved there.  Also note that the parochialism of the SF writers would be a big source of tension in the SF Renaissance period when the East Coast Beats blew into town and brought loads of media attention.

http://media.sas.upenn.edu/pennsound/authors/Duncan/Albuquerque-64/Duncan-Robert_04_Introducting-Night-Scene_Albuquerque_02-29-64.mp3</description>
		<content:encoded><![CDATA[<p>Here is a brief introduction by Robert Duncan from a reading in New Mexico in 1964.  He mentions Floating Bear and particularly its status as a New York magazine and what it meant for a SF poet to appear there.  This highlights Di Prima and Jones&#8217; willingness to tear down borders and publish anything that was considered new writing.  It also foreshadows the Bear&#8217;s shift to SF in the later issues when Di Prima moved there.  Also note that the parochialism of the SF writers would be a big source of tension in the SF Renaissance period when the East Coast Beats blew into town and brought loads of media attention.</p>
<p><a href="http://media.sas.upenn.edu/pennsound/authors/Duncan/Albuquerque-64/Duncan-Robert_04_Introducting-Night-Scene_Albuquerque_02-29-64.mp3" rel="nofollow">http://media.sas.upenn.edu/pennsound/authors/Duncan/Albuquerque-64/Duncan-Robert_04_Introducting-Night-Scene_Albuquerque_02-29-64.mp3</a></p>
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		<title>By: Ellen Pearlman</title>
		<link>http://realitystudio.org/bibliographic-bunker/floating-bear-archive/comment-page-1/#comment-19275</link>
		<dc:creator>Ellen Pearlman</dc:creator>
		<pubDate>Thu, 10 Jan 2008 22:25:02 +0000</pubDate>
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		<description>thank you so much for doing this. Are the covers copyrighted? I would like to use one of them for a book I am writing for Wesleyan University Press on the influence of Buddhism on the NY avant garde.
Thanks,
Ellen</description>
		<content:encoded><![CDATA[<p>thank you so much for doing this. Are the covers copyrighted? I would like to use one of them for a book I am writing for Wesleyan University Press on the influence of Buddhism on the NY avant garde.<br />
Thanks,<br />
Ellen</p>
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