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	<title>Comments on: Interview with Photographer Charles Rotmil</title>
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		<title>By: jed</title>
		<link>http://realitystudio.org/bibliographic-bunker/bunker-interviews/interview-with-photographer-charles-rotmil/comment-page-1/#comment-157492</link>
		<dc:creator>jed</dc:creator>
		<pubDate>Wed, 15 Feb 2012 03:56:04 +0000</pubDate>
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		<description>Fair enough on abstract expressionism.  A very good point and I appreciate the comment, particularly about how canon labels can marginalize.

thanks</description>
		<content:encoded><![CDATA[<p>Fair enough on abstract expressionism.  A very good point and I appreciate the comment, particularly about how canon labels can marginalize.</p>
<p>thanks</p>
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		<title>By: js</title>
		<link>http://realitystudio.org/bibliographic-bunker/bunker-interviews/interview-with-photographer-charles-rotmil/comment-page-1/#comment-155069</link>
		<dc:creator>js</dc:creator>
		<pubDate>Wed, 11 Jan 2012 19:51:29 +0000</pubDate>
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		<description>Great interview, but I have one minor but key correction: Bob Thompson was not an abstract expressionist. He may have shared their interest in monumental scale (at times) and flat planes of color, but his work diverges in important ways from that of the abstract expressionists and even the New York School. I don&#039;t mean to nitpick, but in an era completely overshadowed by this one style, it&#039;s important to point out incredibly innovative artists like Thompson, who followed their own vision and as a result have been marginalized by the art historical canon.</description>
		<content:encoded><![CDATA[<p>Great interview, but I have one minor but key correction: Bob Thompson was not an abstract expressionist. He may have shared their interest in monumental scale (at times) and flat planes of color, but his work diverges in important ways from that of the abstract expressionists and even the New York School. I don&#8217;t mean to nitpick, but in an era completely overshadowed by this one style, it&#8217;s important to point out incredibly innovative artists like Thompson, who followed their own vision and as a result have been marginalized by the art historical canon.</p>
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	<item>
		<title>By: charles rotmil</title>
		<link>http://realitystudio.org/bibliographic-bunker/bunker-interviews/interview-with-photographer-charles-rotmil/comment-page-1/#comment-146545</link>
		<dc:creator>charles rotmil</dc:creator>
		<pubDate>Fri, 12 Aug 2011 14:15:23 +0000</pubDate>
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		<description>sorry Elaine that I had not seen this till now. I remember seeing you at the show. Yes let&#039;s get in touch.</description>
		<content:encoded><![CDATA[<p>sorry Elaine that I had not seen this till now. I remember seeing you at the show. Yes let&#8217;s get in touch.</p>
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	<item>
		<title>By: Elaine Plenda</title>
		<link>http://realitystudio.org/bibliographic-bunker/bunker-interviews/interview-with-photographer-charles-rotmil/comment-page-1/#comment-75136</link>
		<dc:creator>Elaine Plenda</dc:creator>
		<pubDate>Thu, 28 May 2009 09:06:28 +0000</pubDate>
		<guid isPermaLink="false">http://realitystudio.org/bibliographic-bunker/bunker-interviews/interview-with-photographer-charles-rotmil/#comment-75136</guid>
		<description>Bob Thompson was married to my sister, Carol,who
died in January 2005.  I have the photograph of
Bob in the &quot;wicker chair&quot;.  Something he found on
the street.  Also, their wedding pictures and quite a few more.  I cherish them.  I saw Charles
at the Whitney opening, but I don&#039;t he remembers
me. Would be nice to hear from him.
Elaine Plenda
80 N. Moore St. 13D, NYC 10013</description>
		<content:encoded><![CDATA[<p>Bob Thompson was married to my sister, Carol,who<br />
died in January 2005.  I have the photograph of<br />
Bob in the &#8220;wicker chair&#8221;.  Something he found on<br />
the street.  Also, their wedding pictures and quite a few more.  I cherish them.  I saw Charles<br />
at the Whitney opening, but I don&#8217;t he remembers<br />
me. Would be nice to hear from him.<br />
Elaine Plenda<br />
80 N. Moore St. 13D, NYC 10013</p>
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